河南越调的唱腔艺术研究

发布时间：2018-07-02 08:16

本文选题：河南 + 越调　；参考：《新疆师范大学》2010年硕士论文

【摘要】：越调是河南地方三大剧种之一,历史悠久,以唱、念、做、打、舞戏曲程式为表演形式,以河南方言为剧词基本腔调,能够表现恢弘的场面,也能表现柔婉的情景,既能塑造英雄、威猛的艺术形象,也能塑造柔情哀怨的艺术形象,有着独特的表演风格和群众基础,是一个文化资源丰富、学科领域广泛并有着极高研究价值和保留价值的剧种。本文分四个部分对越调剧种进行了阐述。第一部分:河南越调的发展历程和文献回顾。发展历程部分从清乾隆时期开始叙述到20世纪八十年代商品经济时代的到来,越调受到巨大冲击,幸亏各艺术大师的不懈努力,越调又开始发展起来;文献回顾部分从介绍越调源流、唱腔、生存现状与解决方案三部分进行回顾。第二部分:河南越调的唱腔艺术特色。此部分介绍了越调的分支、戏词特点、唱腔、角色行当和剧目特色。越调有上路调和下路调两个分支;戏词运用河南方言,并以十字句和七字句为主要句式;唱腔上本来是曲牌体,后来又变为板腔体;越调行当齐全,生、旦、净、丑各具特色;越调剧目部分把越调剧目分为传统剧目、移植剧目和新创剧目三部分。第三部分:河南越调的各时代代表人物及其演唱特点。共分早期、六七十年代、八九十年代三个时期进行阐述。第四部分:河南越调的现状及思考。这一部分分析了河南越调的现状,分析了剧本、演员、剧团管理与政府扶植三个方面的原因,并由此反思自己声乐学习的努力方向。
[Abstract]:Yue Diao is one of the three major local operas in Henan. It has a long history, with singing, reciting, doing, playing and dancing opera as the performing form, and Henan dialect as the basic accent of the opera words. It can represent a grand scene and also a soft and gentle scene. It can not only shape the heroic and powerful artistic image, but also create the tender and sad artistic image. It has a unique performance style and mass foundation, and is rich in cultural resources. A wide range of disciplines with high research value and retention value. This article is divided into four parts to elaborate the drama of Yue tune. The first part: the development course and literature review of Henan Yue-Diao. Part of the development process from the Qianlong period of Qing Dynasty to the arrival of the commodity economy era in the eighties of the 20th century, the more the tone suffered a huge impact, thanks to the unremitting efforts of various masters of art, the tone began to develop again; Literature review part from the introduction of the source, singing, survival status and solutions to review three parts. The second part: Henan Yue tune singing art characteristics. This part introduces the branch of Yue tune, the character of the play, the singing, the role and the feature of the repertoire. There are two branches on the road and the next; the opera words use Henan dialect, and take the cross sentence and the seven-character sentence as the main sentence pattern; the singing is originally a songcard style, but later it becomes a board cavity; the Yue tune business is complete, health, denier, net, ugly each has its own characteristics; In the part of Yue-tune repertoire, it is divided into three parts: traditional repertoire, transplant repertoire and newly created repertoire. The third part: the representative characters and singing characteristics of each era in Henan Yue-Diao. It is divided into three periods: the early period, the 60 s and the 70 s, and the 80 s and 90 s. The fourth part: the present situation and thinking of Henan Yue-Diao. This part analyzes the current situation of Henan Yue, analyzes the script, actors, troupe management and government support three reasons, and reflects on their own vocal music learning efforts.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J825

【引证文献】