“悲剧”—“英雄”—“爱情”从《白毛女》和《苍原》女主人公艺术形象的分析中微观中国歌剧女性形象

发布时间：2018-07-05 01:18

本文选题：中国民族歌剧 + 艺术特点　；参考：《内蒙古师范大学》2011年硕士论文

【摘要】：歌剧是一门以歌唱艺术为主的综合性艺术形式,每部歌剧都有其固定的时代背景,人物情节和故事情节,不同的人物形象以及同一人物在不同情节中的形象特征都有其内在的差别。要想准确细致地刻画人物形象,表现人物形象的性格特征,就要全面地对其了解、分析,才能准确地塑造人物形象,把握人物形象的特征。本文共分为五个部分,包括绪论、正文、结语、致谢、参考文献。其中正文分为三个章节,第一章简述中国歌剧的发展概况,对中国民族歌剧的发展脉络进行简要的梳理；第二章具体以《白毛女》和《苍原》两部经典歌剧为例,对这两部作品的文化背景、主人公性格角色及音乐本体进行分析；第三章概述中国歌剧女性形象,对中国音乐史中出现的典型女性的形象特征和所表现出的文化特征,以及音乐文化中的女性主题进行简要的阐述。本文将沿着前人的步履,对20世纪80年代至世纪末中国歌剧中女性角色的塑造和演唱艺术,并进行客观和理性的梳理,具体以《白毛女》和《苍原》两部经典歌剧为研究对象,从中探寻中国歌剧女性角色演唱艺术的多元特点和艺术规律,力图更好地塑造中国民族歌剧艺术中的女性形象。
[Abstract]:Opera is a comprehensive art form which is mainly composed of singing art. Each opera has its own fixed background of the times, character plot and story plot. Different characters and the same character in different plot image characteristics have their inherent differences. If we want to accurately and meticulously depict the character image and express the character characteristic of the character image, we must understand and analyze it comprehensively, so that we can accurately shape the character image and grasp the character image characteristic. This article is divided into five parts, including introduction, text, conclusion, thanks, references. The text is divided into three chapters, the first chapter briefly describes the development of Chinese opera, the development of Chinese national opera is briefly combed; the second chapter takes "White-haired Girl" and "Cangyuan" as examples. The cultural background of the two works, the character of the protagonist and the musical ontology are analyzed. The third chapter summarizes the image of Chinese opera women, the image characteristics of typical women in the history of Chinese music and the cultural characteristics. And the female theme in the music culture carries on the brief elaboration. In this paper, the author will follow the steps of the predecessors, to portray and sing the female characters in Chinese operas from the 1980s to the end of the 20th century, and make an objective and rational combing, taking the two classic operas of "White-haired Girl" and "Cangyuan" as the research objects. In order to better shape the female image of Chinese national opera, this paper explores the pluralistic characteristics and artistic rules of Chinese opera female role singing art.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J822

【引证文献】