浅析茶花女第三幕微奥莉塔咏叹调《永别了，过去的美梦》的演唱处理

发布时间：2018-07-06 08:05

本文选题：威尔第 + 茶花女　；参考：《江西师范大学》2017年硕士论文

【摘要】：朱塞佩·威尔第(Giuseppe Verdi),一位集众多歌剧于一身的19世纪最伟大的著名作曲家,被世人誉为“歌剧之王”,一生所作歌剧26部,强调歌剧题材的真实性,把意大利歌剧从神话传说转向了现实世界,追求艺术中的真实,生活中的真实,在他的歌剧中剧情戏剧化强烈,角色唱段在感官和听觉上都赐予人一种强有力的碰撞,不论其旋律是优美动听还是盘旋低亢,不论角色出生显贵还是贫贱,都在威尔第的笔下谱写的活灵活现,栩栩如生。歌剧《茶花女》正是出自歌剧作曲家威尔第之手,他曾经对这部歌剧表示出他最热忱的喜爱,认为这是他创作的歌剧当中最成功的作品之一。整部歌剧全部围绕着一位名为薇奥莉塔的美丽善良的姑娘而展开。在本篇论文当中,笔者主要以歌剧《茶花女》中薇奥莉塔的演唱处理进行论点而展开,文章主要分为四个方面。一、作曲家艺术生平及创作背景。首先对朱塞佩·威尔第的艺术生平进行介绍,然后叙述其主要代表作《茶花女》的创作背景。首先阐述《茶花女》是如何被创作出来的,在什么历史条件下被创作出来的以及该创作所反映的现实世界。然后简要分析《茶花女》的艺术成就与艺术特点。二、咏叹调《永别了,过去的美梦》的演唱技巧与音乐表现分析。第二章分三部分,演唱技巧、音乐表现、曲式分析。演唱技巧主要分两部分进行了分析,宣叙调和咏叹调。音乐表现主要分析情感变化、伴奏的合作。曲式分析分为两部分:宣叙调和咏叹调,对各个部分的曲式进行了简要的分析。三、不同演唱家的演唱处理。该部分对三位演唱家在演唱该曲时的演唱处理进行了分析。分别为:琼·萨瑟兰;安娜·奈瑞贝科;安吉拉·乔治乌。四、自身演唱体会。该部分为自身在演唱这首歌曲时的演唱技巧与情感运用体会。
[Abstract]:Giuseppe Verdi, one of the greatest and most famous composers of the 19th century, is known as the "King of Opera", who has made 26 operas throughout his life, emphasizing the authenticity of opera themes. Turning Italian opera from mythology to the real world, seeking truth in art, being real in life, dramatizing the plot in his opera, giving people a powerful collision of senses and hearing. Whether its melodies are beautiful or hovering low, regardless of the birth of the role of dignitaries or lowly, in Verdi's writings compose vivid, lifelike. The opera "Camellia" was written by opera composer Verdi, who once expressed his most fervent love for the opera as one of his most successful operas. The whole opera revolved around a beautiful and kind girl named Violita. In this paper, the author mainly discusses the singing treatment of Violita in the opera "Camellia", which is divided into four aspects. First, the composer's artistic life and creation background. This paper first introduces the artistic life of Giuseppe Verdi, and then narrates the background of her main masterpiece, Camellia. This paper first expounds how the Camellia Girl was created, under what historical conditions, and the real world reflected by the creation. Then briefly analyze the artistic achievements and characteristics of Camellia. Second, arias farewell, the past dream of singing skills and music performance analysis. The second chapter is divided into three parts, singing skills, music performance, form analysis. Singing skills are mainly divided into two parts, narration and arias. The music performance mainly analyzes the emotion change, the accompaniment cooperation. The composition analysis is divided into two parts: narration and aria. Third, the different singer's singing processing. In this part, the author analyzes how the three singers perform the song. Joan Sutherland; An Na Nerebeko; Angela Giorgiu. Fourth, one's own singing experience. This part is one's own singing skill and emotion application experience when singing this song.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2

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