山西道情戏研究

发布时间：2018-07-11 10:53

本文选题：道教 + 山西道情戏　；参考：《山西大学》2013年硕士论文

【摘要】：道情是我国最古老的宗教艺术,它最初是宣讲道教的故事与思想,其后与民间歌舞艺术的结合,形成了它现在独特的艺术形式。道情艺术遍布我国20多个省市,它以多姿多彩的艺术形式流传在中国广袤的土地上,同时它在不同层面分别展示了中国各个地区的语言、音乐、风俗、地理的差异性。山西道情戏的艺术品种,其中由于山西地区地理环境、宗教文化、戏曲文化等,在山西传统文化中孕育而成形成具有地方特色的山西道情。它因通俗易懂被当地群众接受并喜欢。山西道情和全国的道情戏一样,在形成之时都带有神秘的宗教色彩。那么现在从山西道情戏的器乐伴奏和众多的剧目中,我们依然可以地看到山西道情戏受道教影响的发展历史衍变,那么这么颇具有山西地方特色、并且山西民间依旧广为流传的地方剧种,它的民俗风情、宗教涵义以及文化价值研究一直很少人进行总结整理。本文以山西道情戏发展的文化大背景为基础,展开全方面的深入调查和细致认真的对比研究,从而了解山西道情艺术是在道教文化、道教音乐的发展中,并在山西的传统文化的酝酿中,了解山西道情戏文化的价值与内涵。建立在这些因素的基础上,希望能够对我省的戏曲文化以及地方剧种的文化价值研究作出自己微薄的贡献。本论文内容主要分为四章：文章第一章是“道教文化与道教音乐体裁”,论述了道教的产生和发展,以及道教文化内涵,其次产生道观音乐,以及后来衍变的道曲、道歌、道情。第二章“山西道情戏”作为道情曲艺的一个分支,本地地理环境和戏曲文化的推进以及各方面的影响,形成具有特色的山西道情戏文化；文章第三章“山西道情四大剧种的艺术特色”是在对山西道情剧种的音乐唱腔研究对比,以及山西道情戏的伴奏乐器、剧目的内容对探索道情戏剧种和其他剧种的相互吸收的共性问题具有现实意义。第四章“结语”对山西道情戏的纵观深层的分析研究总结。
[Abstract]:Taoism is the oldest religious art in our country. It first preached the stories and ideas of Taoism, then combined with folk music and dance art, forming its unique art form now. The art of Taoism is spread over more than 20 provinces and cities in China. It spreads in the vast land of China with colorful art forms. At the same time, it shows the differences of language, music, customs and geography in different areas of China. Due to the geographical environment, religious culture, opera culture and so on, the local characteristics of Shanxi Taoism are formed in Shanxi traditional culture. It was accepted and liked by the local people because it was easy to understand. Shanxi Taoism and the national Taoist drama, in the formation of all with mysterious religious color. Well, now from the instrumental accompaniment and numerous plays of Shanxi Taoist love drama, we can still see the historical evolution of Shanxi Taoist love drama under the influence of Taoism, so it has quite local characteristics in Shanxi. And Shanxi folk is still widespread local drama, its folklore customs, religious meaning and cultural value research has been few people summarize and sort out. Based on the cultural background of the development of Shanxi Taoist love drama, this paper carries out a thorough investigation and careful comparative study in all aspects, so as to understand that Shanxi Taoist love art is in the development of Taoist culture and Taoist music. And understand the value and connotation of Shanxi Taoism drama culture in the brewing of Shanxi traditional culture. On the basis of these factors, I hope to make my own contribution to the study of the culture of opera and the cultural value of local drama in our province. The content of this thesis is divided into four chapters: the first chapter is "Taoist culture and Taoist music genre", which discusses the emergence and development of Taoism, and the connotation of Taoist culture, followed by the emergence of Taoist music, and the later evolution of Taoist music and Taoist songs. Tao. The second chapter, "Shanxi Taoism drama" as a branch of the Taoism music art, the local geographical environment and the promotion of opera culture, as well as the influence of various aspects, forms the characteristic Shanxi Taoist sentiment drama culture; The third chapter, "the artistic characteristics of the four kinds of Shanxi Taoist drama", is a comparison of the music singing of Shanxi Taoist drama and the accompaniment instrument of Shanxi Taoist drama. The content of play is of practical significance to explore the common problem of mutual absorption between drama and other kinds of drama. Chapter four "conclusion" summarizes the deep analysis and research of Shanxi Taoism drama.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J825;J617.5

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