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独山花灯本土特色探究

发布时间:2018-07-17 21:55
【摘要】: 独山花灯是贵州南路花灯的代表,是黔南城乡各族人民喜闻乐见的一种艺术形式。本文将在前人研究成果的基础上着重考察和研究独山花灯灯俗交融、语言风韵、音乐表演的地域、民族特色及成因,使世人能全面了解独山花灯的本土特色,这对于独山花灯的专题研究来说,是一种新的视角和拓展。 第一章导言。第一节主要讲述选题缘由、前人研究成果检索、研究方法、研究目标及意义。第二节主要对田野工作及其研究对象的生境进行简要的叙述。 第二章独山花灯形成发展多元说。这一章将从“外来说”和“本土说”两个方面来进行论述,从而得出独山花灯是一个多源头、综合性的艺术门类,并在与外来音乐的相互吸收与借鉴中不断的提高和完善自身。 第三章独山花灯本土特色。第一节主要从独山花灯与当地民俗之间的交融关系入手,并从花灯的流播形式和表演程式方面来论述其本土特征。第二节主要从唱腔与语言声调的关系以及独山方言土语入乐这一事实来论述独山花灯的语言本土特色。第三节主要论述音乐方面的特征,首先对独山花灯的词体结构特点进行剖析,进而分别从唱腔、过场牌子、锣鼓曲牌、伴奏乐队四个方面进行论证,从而使我们清楚的认识到作为一种戏曲形式的标志——独山花灯音乐是在不断融入本地区各民族音乐元素的基础上,又不断的吸收外地区它民族的可用音乐元素来进行本土化改造的一个过程。第四节从舞蹈、服饰以及剧目内容各方面来对独山花灯的本土特色进行全面阐释。这一章是本文的核心部分,通过对独山花灯艺术魅力核心因素——本土特征的详尽剖析,来深刻揭示出独山花灯的本土特色及其成因,以此提高我们对独山花灯的社会文化价值的认识。 第四章独山花灯的现状、发展和出路。这一章将针对独山花灯的发展现状、面临的发展机遇和挑战以及保护的重要性,提出具体的传承、发展与保护的对策。
[Abstract]:Dushan flower lantern is the representative of Guizhou Nanlu flower lantern, it is a kind of art form that people of all ethnic groups in Qiannan city and countryside like to see. Based on the previous research results, this paper will focus on the study of Dushan flower lantern custom blending, language charm, music performance region, national characteristics and causes, so that the world can fully understand the local characteristics of Dushan flower lantern. This is a new angle of view and expansion for the monographic study of Dushan lantern. Chapter I introduction The first section describes the reason of the topic, previous research results retrieval, research methods, research objectives and significance. The second section mainly describes the field work and the habitat of its research object. Chapter II Dushan lantern formation and development of the pluralistic theory. This chapter will be discussed from the two aspects of "foreign theory" and "local theory", so as to draw the conclusion that Dushan flower lantern is a multi-source, comprehensive art category, and constantly improve and perfect itself in the mutual absorption and reference of foreign music. Chapter III Dushan lantern local characteristics. The first section mainly starts with the relationship between Dushan lantern and local folklore, and discusses its native characteristics from the aspects of its flowing form and performing program. The second section mainly discusses the local features of Dushan lantern from the relationship between singing and language tone and the fact that the dialect of Dushan dialect enters into music. The third section mainly discusses the characteristics of music. First of all, it analyzes the structure of Dushan lantern, and then demonstrates it from four aspects: singing, performance sign, gongs and drums, accompaniment band, etc. So that we can clearly realize that Dushan lantern music, as a symbol of opera form, is based on the continuous integration of the elements of the various ethnic groups in the region. It also absorbs the musical elements of other nationalities to carry on the process of localization. In the fourth section, the local characteristics of Dushan lantern are explained comprehensively from dance, dress and play content. This chapter is the core part of this paper, through the detailed analysis of the core factor of Dushan flower lantern artistic charm-local characteristics, to deeply reveal the local characteristics of Dushan flower lantern and its causes. In order to enhance our understanding of the social and cultural value of Dushan lantern. Chapter four: the present situation, development and outlet of Dushan lantern. This chapter will aim at the present situation of Dushan flower lantern, the opportunity and challenge of development and the importance of protection, and put forward the specific countermeasures of inheritance, development and protection.
【学位授予单位】:贵州大学
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:J825

【引证文献】

相关期刊论文 前1条

1 刘纯;;贵州布依族浪哨音乐文化特征探析[J];怀化学院学报;2011年10期

相关硕士学位论文 前1条

1 陈瑶;湖南平江灯戏艺术风格和演唱特点研究[D];湖南师范大学;2011年



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