分别与交流——戏曲与祭祀仪式剧异同论
发布时间：2018-07-18 16:52
【摘要】：在中国传统戏剧中,有两大类演出艺术形态——戏曲与祭祀仪式剧。二者不同而相类,分别而交流,却始终未能走向一致,融合而为一。戏曲不能全面覆盖祭祀仪式剧,而祭祀仪式剧更不能取代戏曲。二者在演出形态上迥然不同,也在展演空间上存在很大区别。祭祀仪式剧自古迄今未能脱离祭祀坛场而独立为艺术商品,从整体而言,它始终以神灵供品的属性活跃在村落,展演在各种各样的祭祀空间中;而戏曲至迟在勾栏出现之后,已经完成其作为艺术商品的蜕变。更加重要的是,祭祀仪式剧虽然历史悠久,却始终没有形成脚色行当体制,而戏曲却早已用脚色行当这个具有中介性质的体制去塑造人物,敷衍故事,戏曲与祭祀仪式剧的根本区别恰在于此。
[Abstract]:In Chinese traditional drama, there are two kinds of performing art forms-opera and ritual drama. The two are different and similar, and communicate separately, but they have never been consistent and merged into one. Opera can not completely cover ritual drama, and sacrificial ritual drama can not replace opera. They are very different in the form of performance, but also in the exhibition space is very different. Since ancient times, sacrificial ritual drama has not been separated from the sacrificial altar and has become an independent art commodity. On the whole, it has always been active in villages with the attributes of spiritual offerings, and it has been displayed in various sacrificial spaces. Its transformation as an art commodity has been completed. What is more important is that although sacrificial ritual dramas have a long history, they have never formed a system of impersonation. However, drama has long used the system of impersonation as an intermediary to portray characters and perfunctory stories. The fundamental difference between opera and sacrificial ritual drama lies in this.
【作者单位】： 中央戏剧学院;
【基金】：2014年度国金社科基金重大项目《中国傩戏剧本整理与研究》之子项目《中国傩戏与东亚传统戏剧比较研究》成果(批准号:14ZDB077)
【分类号】：J805
本文编号：2132542
[Abstract]:In Chinese traditional drama, there are two kinds of performing art forms-opera and ritual drama. The two are different and similar, and communicate separately, but they have never been consistent and merged into one. Opera can not completely cover ritual drama, and sacrificial ritual drama can not replace opera. They are very different in the form of performance, but also in the exhibition space is very different. Since ancient times, sacrificial ritual drama has not been separated from the sacrificial altar and has become an independent art commodity. On the whole, it has always been active in villages with the attributes of spiritual offerings, and it has been displayed in various sacrificial spaces. Its transformation as an art commodity has been completed. What is more important is that although sacrificial ritual dramas have a long history, they have never formed a system of impersonation. However, drama has long used the system of impersonation as an intermediary to portray characters and perfunctory stories. The fundamental difference between opera and sacrificial ritual drama lies in this.
【作者单位】： 中央戏剧学院;
【基金】：2014年度国金社科基金重大项目《中国傩戏剧本整理与研究》之子项目《中国傩戏与东亚传统戏剧比较研究》成果(批准号:14ZDB077)
【分类号】：J805
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