京剧脸谱色彩在设计中的应用
发布时间：2018-08-06 19:10
【摘要】：一般来说，中国京剧艺术主要是通过对色彩的运用来塑造人物形象，传达特定的情感与观念。而对于很多欣赏者来说，那些色彩鲜艳、各具神态的脸谱，具有独特的艺术魅力，产生出令人眩目的美感。作为中国独有的造型艺术之一，中国京剧脸谱深受中国传统文化尤其是民间文化的影响。京剧脸谱艺术的出现，主要是借鉴了民间艺术中的装饰手法以及用色原则等，把民间艺术中的各种艺术元素进行提炼和加工，使脸谱艺术成为具有中国传统文化特色的艺术内容。借助于脸谱中的造型、色彩以及图案传达出人物角色的身份以及性格特征。经过漫长的历史积淀，形成约定俗成的文化内容、道德观念以及历史认知，并且折射出中国传统文化的内核与特质。 在当今的全球化时代，中国传统文化的价值正在被全世界所认可与接受。京剧脸谱作为中国传统文化的一部分，探究其色彩语言和视觉符号并深层挖掘其蕴含的传统民族文化内涵，可以使我们找到更多可供现代设计借鉴的内容。京剧脸谱的所蕴含的艺术元素和所承载的文化精神因素，具有积极的意义和启发作用。 本文主要研究中国京剧脸谱艺术，选取京剧艺术中最具艺术美感的脸谱作为研究重点，分析京剧脸谱中色彩的文化内涵，分析京剧脸谱艺术的色彩及其内在规律，总结分析其设计规律，从而深入解读京剧脸谱色彩的艺术价值及其文化内涵，，并努力总结京剧脸谱色彩在现代设计艺术中的运用及其价值。
[Abstract]:Generally speaking, the art of Chinese Peking Opera is mainly to use color to create characters and convey specific feelings and ideas. For many appreciators, the brightly colored faces, with their unique artistic charm, produce a dazzling sense of beauty. As one of the unique plastic arts in China, the facial makeup of Chinese Peking Opera is deeply influenced by Chinese traditional culture, especially folk culture. The appearance of the facial art of Beijing Opera mainly refers to the decorative techniques and the principles of color use in folk art, so as to refine and process all kinds of artistic elements in folk art. Make facial art become the artistic content with Chinese traditional culture characteristic. With the help of facial styling, color and patterns to convey the identity of the character and personality characteristics. Through the long historical accumulation, it forms the cultural content, moral concept and historical cognition, and reflects the core and characteristics of Chinese traditional culture. In the age of globalization, the value of Chinese traditional culture is being recognized and accepted all over the world. As a part of Chinese traditional culture, Peking Opera facial makeup can explore its color language and visual symbols and dig into its connotation of traditional national culture, so that we can find more contents for reference in modern design. The artistic elements and cultural spiritual factors contained in Beijing Opera's facial composition have positive significance and enlightening effect. This article mainly studies the facial art of Chinese Peking Opera, selects the most artistic aesthetic face in the Peking Opera art as the research focus, analyzes the cultural connotation of the color in the Peking Opera face, analyzes the color of the facial art of Beijing Opera and its inherent law. This paper summarizes and analyzes its design rules, and then deeply interprets the artistic value and cultural connotation of Beijing Opera facial color, and tries to sum up the application and value of Peking Opera facial color in modern design art.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J504;J821.5
本文编号：2168711
[Abstract]:Generally speaking, the art of Chinese Peking Opera is mainly to use color to create characters and convey specific feelings and ideas. For many appreciators, the brightly colored faces, with their unique artistic charm, produce a dazzling sense of beauty. As one of the unique plastic arts in China, the facial makeup of Chinese Peking Opera is deeply influenced by Chinese traditional culture, especially folk culture. The appearance of the facial art of Beijing Opera mainly refers to the decorative techniques and the principles of color use in folk art, so as to refine and process all kinds of artistic elements in folk art. Make facial art become the artistic content with Chinese traditional culture characteristic. With the help of facial styling, color and patterns to convey the identity of the character and personality characteristics. Through the long historical accumulation, it forms the cultural content, moral concept and historical cognition, and reflects the core and characteristics of Chinese traditional culture. In the age of globalization, the value of Chinese traditional culture is being recognized and accepted all over the world. As a part of Chinese traditional culture, Peking Opera facial makeup can explore its color language and visual symbols and dig into its connotation of traditional national culture, so that we can find more contents for reference in modern design. The artistic elements and cultural spiritual factors contained in Beijing Opera's facial composition have positive significance and enlightening effect. This article mainly studies the facial art of Chinese Peking Opera, selects the most artistic aesthetic face in the Peking Opera art as the research focus, analyzes the cultural connotation of the color in the Peking Opera face, analyzes the color of the facial art of Beijing Opera and its inherent law. This paper summarizes and analyzes its design rules, and then deeply interprets the artistic value and cultural connotation of Beijing Opera facial color, and tries to sum up the application and value of Peking Opera facial color in modern design art.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J504;J821.5
【参考文献】
相关期刊论文 前7条
1 曾晓云;中国传统色彩观的传承与发展[J];包装工程;2005年04期
2 陈绶祥;国画指要——色相第九[J];美术观察;2004年09期
3 王文娟;论儒家色彩观[J];美术观察;2004年10期
4 吴秋野;青绿山水的产生与佛教美术及异族文化[J];美术观察;2004年11期
5 林秀君;;汉民族色彩崇拜意识与色彩词的等级观念浅探[J];汕头大学学报;2006年03期
6 黄国松;儒家和道家的色彩观[J];苏州丝绸工学院学报;2001年02期
7 窦勤军;浅谈中国古代色彩艺术的形成与发展[J];徐州师范大学学报;2003年03期
本文编号：2168711
本文链接：https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2168711.html
