试论昆曲主调
发布时间：2018-08-07 21:21
【摘要】：昆曲有主调。昆曲南曲主调是Re Mi Re Do La(简约为Re Do La);昆北主调是Re Mi Do Si La和la Do So Fa Mi(简约为Do Si La和So Fa Mi)。其原始由来是去声字腔。该音调之能成为昆南主调的主要原因是其自身比之它类字腔具更多的优势和对该音调的大量翻用和泛用。泛用的主要手法有改变主调首音法、前置新字腔法、移宫换吕法等。主调对昆曲具全局性、主导性、根本性的影响。如昆北以三音列型两主调替代清乐七声音阶中两偏音后,音阶形式发生变异,由此导致原本独立的清角、变宫两偏音的活动范围、不稳定性受到了极大的削弱、制约,昆北唱调旋律进行方向、音乐语汇等均发生变化,一个"气无烟火"的文人音乐即由此生。
[Abstract]:Kunqu Opera has its main tone. The main tone of Kunqu Opera is Re Mi Re Do La (, the main tone of Kunqu is Re Do La);, the main tone of Kunqu is Re Mi Do Si La and la Do So Fa Mi (is Do Si La and So Fa Mi). Its original origin is the acoustics. The main reason why this tone can become the main tone of Quinan is that it has more advantages than other characters and is widely used. The main techniques used include the change of the main tone first tone method, the front new word cavity method, the transfer of the palace for the Lv method and so on. The main tone has an overall, dominant and fundamental influence on Kunqu Opera. For example, after replacing the two skewed tones in the Ching Le Seven Sound scale with the three-tone series and two main tones in the north of Kunming, the scale form changes, which leads to the original independent activity range of the Qing and Gong deviations, and the instability is greatly weakened and restricted. The direction of melody and the musical vocabulary of Northern Kunn changed, and the music of a literati with no gas and no fireworks was born in this life.
【作者单位】： 临沂大学中国文艺评论基地;
【分类号】：J617.5
本文编号：2171384
[Abstract]:Kunqu Opera has its main tone. The main tone of Kunqu Opera is Re Mi Re Do La (, the main tone of Kunqu is Re Do La);, the main tone of Kunqu is Re Mi Do Si La and la Do So Fa Mi (is Do Si La and So Fa Mi). Its original origin is the acoustics. The main reason why this tone can become the main tone of Quinan is that it has more advantages than other characters and is widely used. The main techniques used include the change of the main tone first tone method, the front new word cavity method, the transfer of the palace for the Lv method and so on. The main tone has an overall, dominant and fundamental influence on Kunqu Opera. For example, after replacing the two skewed tones in the Ching Le Seven Sound scale with the three-tone series and two main tones in the north of Kunming, the scale form changes, which leads to the original independent activity range of the Qing and Gong deviations, and the instability is greatly weakened and restricted. The direction of melody and the musical vocabulary of Northern Kunn changed, and the music of a literati with no gas and no fireworks was born in this life.
【作者单位】： 临沂大学中国文艺评论基地;
【分类号】：J617.5
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，本文编号：2171384
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