歌剧《女人心》中三位女高音角色的分析与演绎

发布时间：2018-08-08 17:10

【摘要】：莫扎特,一位奥地利古典主义中期重要的歌剧作曲家、音乐家,他用短暂的三十六年的时间里,为人类留下了永远的精神财富。他创作有教堂乐曲、歌剧、艺术歌曲、钢琴曲、交响曲等等。这些作品其中占据最重要领域的是歌剧,作曲家通过歌剧音乐的形式把每一位人物角色都雕塑的栩栩如生,犹如在生活中一样真实,充分展现出了歌剧的魅力所在。本文首先是通过对莫扎特生平的介绍与其歌剧的特点来进行讲述。其中生平的介绍包括莫扎特家庭成员的介绍、童年各地巡演的经历、少年惊人的记忆、中年求职的困境、与大主教的决裂、维也纳期间创作的高潮、贫困所带来的灾难；歌剧的特点从以下三点来分析：与时俱进、通俗易懂；变幻莫测、应有尽有；基于民间、富有戏剧。根据这些歌剧特点莫扎特对所有的人物音乐都进行了别具匠心的设计,使得每一个人物角色都在音乐的指引下演绎的活灵活现。其次是选定莫扎特晚期的喜歌剧《女人心》来进行论述,其中包含歌剧《女人心》的时代背景、创作背景；歌剧《女人心》的剧情概况；歌剧《女人心》的音乐特征：即简洁、诱人的格局布置；平行、对称的情节安排；别具一格的重唱设计；嘲弄戏仿的咏叹调填充；调式、节奏、伴奏、速度和表情术语的巧妙安排与和声织体的摇身变术。通过以上音乐特征的描述,可以让人们更深刻的了解到莫扎特歌剧的独到之处。再次是通过对歌剧《女人心》中三位女高音的人物角色分析与演绎来进行对比描写,总结了这三位角色各自的特性。其中包括端庄典雅、高贵矜重的菲奥尔迪丽吉；天真无瑕、纯真可爱的朵拉贝拉；活泼开朗、精灵古怪的黛丝皮娜。另外,本文还专门对菲奥尔迪丽吉、朵拉贝拉这两位女主人公角色与其女仆角色黛丝皮娜进行了一番对比分析,让大家更能明确地区分开演绎女主人公角色与女仆角色之间的差别所在,更能准确地把握其所要表达的内在心理。最后笔者将从自己演唱咏叹调《在男人与士兵当中》的心得体会来进行讲述。强调作为一个声乐演唱者,除了具有漂亮的声音技巧外,更重要的是得有很全面的音乐素养,对于一首声乐作品,我们必须得有自己的想象、看法与理解,从作品的背景、内容、形式,人物角色的扮演,音乐伴奏的处理等等方面,都得有自己个人的见解,以此来更深层次的挖掘到作品的真正内涵,使声音美与音乐美真正的结合起来,达到音乐艺术的纯粹美。
[Abstract]:Mozart, an important opera composer and musician in the middle of Austrian classicism, left a lasting spiritual wealth for mankind in a short period of 36 years. He wrote church music, operas, art songs, pianos, symphonies and so on. These works occupy the most important field of opera, the composer through the form of opera music to each character sculpture lifelike, as in life as real, fully show the charm of the opera. The first part of this paper is to introduce Mozart's life and the characteristics of his opera. Among them, the introduction of life including Mozart family members, childhood tour experience, juvenile amazing memory, the plight of middle-aged job-hunting, break with the archbishop, the climax of creation during the Vienna period, the disaster brought by poverty; The characteristics of opera are analyzed from the following three aspects: keeping pace with the times, easy to understand; unpredictable, everything; based on the folk, rich in drama. According to the characteristics of these operas, Mozart designed all the characters' music with originality, which made each character's character appear vividly under the guidance of music. The second is to select Mozart's late opera "woman's Heart" to discuss, which includes the background of the era and background of the opera "woman's heart"; the plot of opera "woman's heart"; and the musical characteristics of opera "woman's heart": simplicity. Seductive layout; parallel, symmetrical plot arrangement; distinctive choreography; mocking arias fill; tonal, rhythmic, accompaniment, speed, and expression jargon; and melodrama. Through the description of the above musical features, people can understand Mozart's unique features more deeply. Thirdly, by analyzing and deducing the characters of three sopranos in the opera "woman's Heart", the author summarizes the characteristics of the three characters. These include the elegant, noble Fiordillage; the impeccable, innocent and lovely Dora Bella; the lively, cheerful, genie oddball Dinah. In addition, this paper also makes a comparative analysis of the roles of Fiordillage and Dora Bella as well as the roles of Despina as maids. So that we can more clearly deduce the difference between the heroine role and the maid role, and more accurately grasp the inner psychology of the heroine role and the maid role. Finally, I will sing aria in men and soldiers from the experience of experience to tell. It is emphasized that as a vocal singer, in addition to having beautiful sound skills, it is more important to have a very comprehensive musical literacy. For a vocal work, we must have our own imagination, view and understanding, from the background of the work. In terms of content, form, personas, handling of musical accompaniment, and so on, they all have to have their own personal opinions, so as to dig deeper into the true connotation of the work, so that sound beauty and musical beauty can truly be combined together. To achieve the pure beauty of musical art.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J832

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