武术与安顺地戏的相互影响与启示
发布时间：2018-08-08 21:46
【摘要】：安顺地戏是存在于贵州安顺屯堡地区的一种民间戏曲,随着屯堡人至今已经有了几百年的历史。地戏的产生与发展都与武术有着重要的联系,地戏表演过程中主要是以武打为主要内容,与其他地区不同的是地戏只演武戏,而且武打贯穿于地戏表演过程的始终。当下,安顺地戏现在被列入了非物质文化遗产当中,对安顺地戏研究也层出不穷,在这些所有研究中,武术都被肯定与地戏有着密切的关联。 本研究通过文献资料法、专家访谈法、田野调查法、比较研究方法以及逻辑分析法,以安顺地戏的历史沿革和特征,以对研究安顺地戏的产生与发展、地戏中武术元素的分析、地戏与武术发生的历史脉络等方面,去探寻安顺地戏与武术的发生和相互影响,并能够给武术的传承和文化保护以启示。 本研究的主要结论如下： 1.屯堡人从历史来源上与武术就存在着关系。屯堡人明代屯军后裔,有着军人血统,尚武精神的思想意识浓重。练兵习武是为了满足自身精神上的追求,也是自身身份的象征。不管是出于防御还是精神追求,屯堡人一直与武术发生着关系。 2.地戏中的武打直接取材于武术。武打是地戏的灵魂。地戏中的武打直接取自武术,在最初时屯堡人直接原封不动把武术中一些架势运用到地戏表演中去,到了后来才对一些武术招式进行了改造,形成了较为成熟的套路程式。 3.屯堡地区中的武术与地戏相互依存、相互影响。在特定的历史条件下武术对地戏的产生起到了重要的作用,地戏的产生也促进了武术的发展。在不同的历史时期两者之间的关系在发生者变化,但是地戏离不开武术,离开了武术,就是去了灵魂。目前,屯堡地区中武术的发展也要依赖于地戏,才能生存和发展。两者之间相互依存、相互发展。 4.“文化综合创新论”是今后武术发展的一个方向。武术文化应该适应和融合到其他文化当中,与各种文化形成一个综合的科学的系统,既要继承传统又要自身的创新,才能适应现代社会发展得需求。
[Abstract]:Anshundi Opera is a kind of folk opera existing in Tunpu area of Anshun Guizhou. The emergence and development of local opera have important relations with martial arts. In the process of local opera performance, the main content is martial arts. What is different from other regions is that local opera only performs martial arts, and martial arts play runs through the whole process of local opera performance. At present, Anshundi Opera is now listed in the intangible cultural heritage, and the research on Anshundi Opera is endless. In all these studies, Wushu is definitely closely related to the local opera. Through the methods of literature, expert interview, field investigation, comparative research and logic analysis, this study aims at the historical evolution and characteristics of Anshundi Opera, in order to study the emergence and development of Anshundi Opera, and the analysis of martial arts elements in Anshundi Opera. This paper explores the occurrence and mutual influence of Anshundi Opera and Wushu, and can enlighten the inheritance and cultural protection of Wushu. The main conclusions of this study are as follows: 1. Tunbao people from the historical sources and martial arts on the relationship. Tunbao people in the Ming Dynasty Tujun descendants, with military lineage, martial spirit of the ideological consciousness. Martial arts training is to meet their own spiritual pursuit, but also a symbol of their identity. Whether out of defense or spiritual pursuit, Tunbao has always had a relationship with martial arts. 2. 2. The martial arts in the local opera are directly derived from the martial arts. Martial arts is the soul of the earth play. The martial arts in the local opera were taken directly from the martial arts. At first, the Tunbao people directly applied some of the martial arts posture to the local opera performances. Later, some martial arts methods were reformed. Formed a more mature routine. 3. The martial arts and local opera in Tunpu area depend on each other and influence each other. Under certain historical conditions, Wushu plays an important role in the production of local opera, and it also promotes the development of Wushu. In different historical periods, the relationship between the two changes, but the local drama can not be separated from martial arts, away from martial arts, is to go to the soul. At present, the development of martial arts in Tunpu area also depends on local drama to survive and develop. The two are interdependent and develop mutually. 4. The theory of comprehensive innovation of culture is a direction for the development of Wushu in the future. Wushu culture should be adapted and integrated into other cultures and form a comprehensive scientific system with various cultures. Wushu culture should inherit tradition and innovate itself in order to meet the needs of the development of modern society.
【学位授予单位】：北京体育大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825;G852
本文编号：2173129
[Abstract]:Anshundi Opera is a kind of folk opera existing in Tunpu area of Anshun Guizhou. The emergence and development of local opera have important relations with martial arts. In the process of local opera performance, the main content is martial arts. What is different from other regions is that local opera only performs martial arts, and martial arts play runs through the whole process of local opera performance. At present, Anshundi Opera is now listed in the intangible cultural heritage, and the research on Anshundi Opera is endless. In all these studies, Wushu is definitely closely related to the local opera. Through the methods of literature, expert interview, field investigation, comparative research and logic analysis, this study aims at the historical evolution and characteristics of Anshundi Opera, in order to study the emergence and development of Anshundi Opera, and the analysis of martial arts elements in Anshundi Opera. This paper explores the occurrence and mutual influence of Anshundi Opera and Wushu, and can enlighten the inheritance and cultural protection of Wushu. The main conclusions of this study are as follows: 1. Tunbao people from the historical sources and martial arts on the relationship. Tunbao people in the Ming Dynasty Tujun descendants, with military lineage, martial spirit of the ideological consciousness. Martial arts training is to meet their own spiritual pursuit, but also a symbol of their identity. Whether out of defense or spiritual pursuit, Tunbao has always had a relationship with martial arts. 2. 2. The martial arts in the local opera are directly derived from the martial arts. Martial arts is the soul of the earth play. The martial arts in the local opera were taken directly from the martial arts. At first, the Tunbao people directly applied some of the martial arts posture to the local opera performances. Later, some martial arts methods were reformed. Formed a more mature routine. 3. The martial arts and local opera in Tunpu area depend on each other and influence each other. Under certain historical conditions, Wushu plays an important role in the production of local opera, and it also promotes the development of Wushu. In different historical periods, the relationship between the two changes, but the local drama can not be separated from martial arts, away from martial arts, is to go to the soul. At present, the development of martial arts in Tunpu area also depends on local drama to survive and develop. The two are interdependent and develop mutually. 4. The theory of comprehensive innovation of culture is a direction for the development of Wushu in the future. Wushu culture should be adapted and integrated into other cultures and form a comprehensive scientific system with various cultures. Wushu culture should inherit tradition and innovate itself in order to meet the needs of the development of modern society.
【学位授予单位】：北京体育大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825;G852
【参考文献】
相关硕士学位论文 前1条
1 杨本升;关于中国武术与军事、艺术关系的研究[D];山东师范大学;2002年
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