音乐剧《耶稣基督超级巨星》研究
发布时间：2018-08-25 16:08
【摘要】：音乐剧《耶稣基督超级巨星》(Jesus Christ Superstar)创作于1969-70年,安德鲁·劳埃德·韦伯(Andrew Lloyd Webber,1948-)作曲,蒂姆·莱斯(Tim Rice,1944-)作词。这部音乐剧采用了摇滚乐队与管弦乐队相结合的编制,以重金属摇滚乐风格为主导,讲述了来自圣经的耶稣受难记的故事。 在该剧中,韦伯注重音乐主题的运用,将音乐主题的呈现与发展过程,作为刻画戏剧角色与戏剧动作、搭建全剧音乐戏剧结构的主要手段；通过这种方式,韦伯对长久以来西方对于耶稣受难记的宗教式的叙事视角进行了转换,将其放置在20世纪60年代的社会文化背景中进行诠释,赋予受难记新的意义。本文通过对全剧音乐戏剧手法的分析,探讨该剧形式与内容的关系,考察该剧主旨与立意的形成。 本文共分三大部分八个章节来进行阐述。第一部分探讨了该剧对圣经故事和人物所作出的颠覆性诠释,分为两章：第一章分析了对受难记进行颠覆性诠释的可能性；第二章将传统受难记题材作品中与本剧中的故事和人物进行对比,考察本剧对前者的颠覆之处及逻辑依据。第二部分,论述本剧在讲述受难记故事时所取的解读视角,分为两章：第三章将传统受难记题材作品中与该剧中的情节线索进行比较,梳理后者所采用的戏剧逻辑;第四章分析该剧音乐叙事结构的建构,探寻这一结构与全剧的戏剧逻辑和解读视角的匹配性。第三部分是对全剧戏剧主旨与立意的解读,分为四章：第五章对全剧的戏剧主旨进行了分析；第六章和第七章将这一戏剧主旨放置在20世纪60年代的语境中,探讨它在社会文化上的寓意；第八章试图找寻韦伯表达这一戏剧主旨的目的。
[Abstract]:(Jesus Christ Superstar), a musical superstar of Jesus Christ, wrote by Andrew Lloyd Weber (Andrew Lloyd Webber,1948- and by Tim Rice,1944-. The musical, a combination of rock and orchestra, is dominated by heavy metal rock and tells the story of crucifixion from the Bible. In this play, Weber pays attention to the use of musical themes, taking the presentation and development of musical themes as the main means to portray the dramatic roles and actions, and to set up the structure of the musical drama in the whole play. Weber changed the religious narrative perspective of the crucifixion in the West for a long time and put it in the social and cultural background of the 1960s to give it a new meaning. This paper discusses the relationship between the form and content of the whole play through the analysis of its musical and dramatic techniques, and investigates the formation of its main purpose and intention. This article is divided into three parts and eight chapters to elaborate. The first part discusses the subversive interpretation of the biblical story and characters in the play, which is divided into two chapters: the first chapter analyzes the possibility of subversive interpretation of the crucifixion; The second chapter compares the stories and characters in the traditional good Friday works with the stories and characters in the drama, and investigates the subversion and logical basis of the former. The second part discusses the interpretation of the story in the drama, divided into two chapters: chapter three compares the traditional works of crucifixion with the plot clues in the drama, combing the drama logic used by the latter; The fourth chapter analyzes the construction of the musical narrative structure of the play, and explores the matching between the structure and the drama logic and interpretation angle of the whole play. The third part is the interpretation of the whole drama's gist and intention, which is divided into four chapters: the fifth chapter analyzes the whole drama's main purpose, the sixth and seventh chapters put the drama purport in the context of 1960s. The eighth chapter tries to find out the purpose of Weber's expression of this drama.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J832
本文编号：2203431
[Abstract]:(Jesus Christ Superstar), a musical superstar of Jesus Christ, wrote by Andrew Lloyd Weber (Andrew Lloyd Webber,1948- and by Tim Rice,1944-. The musical, a combination of rock and orchestra, is dominated by heavy metal rock and tells the story of crucifixion from the Bible. In this play, Weber pays attention to the use of musical themes, taking the presentation and development of musical themes as the main means to portray the dramatic roles and actions, and to set up the structure of the musical drama in the whole play. Weber changed the religious narrative perspective of the crucifixion in the West for a long time and put it in the social and cultural background of the 1960s to give it a new meaning. This paper discusses the relationship between the form and content of the whole play through the analysis of its musical and dramatic techniques, and investigates the formation of its main purpose and intention. This article is divided into three parts and eight chapters to elaborate. The first part discusses the subversive interpretation of the biblical story and characters in the play, which is divided into two chapters: the first chapter analyzes the possibility of subversive interpretation of the crucifixion; The second chapter compares the stories and characters in the traditional good Friday works with the stories and characters in the drama, and investigates the subversion and logical basis of the former. The second part discusses the interpretation of the story in the drama, divided into two chapters: chapter three compares the traditional works of crucifixion with the plot clues in the drama, combing the drama logic used by the latter; The fourth chapter analyzes the construction of the musical narrative structure of the play, and explores the matching between the structure and the drama logic and interpretation angle of the whole play. The third part is the interpretation of the whole drama's gist and intention, which is divided into four chapters: the fifth chapter analyzes the whole drama's main purpose, the sixth and seventh chapters put the drama purport in the context of 1960s. The eighth chapter tries to find out the purpose of Weber's expression of this drama.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J832
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