普契尼歌剧《图兰多》中柳儿艺术形象的塑造

发布时间：2018-08-25 20:27

【摘要】： “柳儿”是普契尼在其未竟的“天鹅之歌”—歌剧《图兰朵》中成功塑造的歌剧形象,也是闻名世界的经典歌剧形象之一。本文立足于柳儿咏叹调的音乐因素和柳儿人物的戏剧因素,结合谱例,从“崇高”和“悲剧性”两个方面具体论析了柳儿人物形象的审美价值和艺术魅力。基本思路是:在歌剧本性论及歌剧美学的理论指导下,从“歌剧人物高度上分析”的角度论析作曲家如何以剧中人物为出发点,采用种种艺术手段在过程中展开和完成对歌剧形象的塑造,从而使歌剧人物上升为生动、鲜明、感人歌剧形象,进而赋予歌剧作品长久的艺术价值和魅力。在理论现实意义上,本文从柳儿咏叹调的音乐因素、人物形象的戏剧特征和审美价值,以及作曲家的艺术魅力等方面进行的综合分析,有利于丰富发展我国传统的歌剧理论,有利于进一步深刻地挖掘该歌剧作品的艺术内涵和价值,同时有助于演唱者从更深层次上塑造柳儿歌剧形象和对柳儿咏叹调进行二度创作。本文在写作安排上遵循“作品—人物—作品”和“创作、表演、欣赏”两条逻辑线索,全文主要分为四大部分:第一章主要交待普契尼的生平与图剧的创作;第二章主要论述了柳儿歌剧形象塑造的背景和过程;第三章,主要从戏剧音乐以及美学的角度来分析柳儿形象塑造的审美价值;第四章,主要分析普契尼的艺术魅力以及其艺术魅力在“柳儿”形象塑造中的体现。
[Abstract]:"Liu er" is Puccini's unfinished "Song of the Swan"-opera "Turandot" successfully created the opera image, is also one of the world famous classic opera image. Based on the music factor of Liu er aria and the drama factor of Liu er character, this paper analyzes the aesthetic value and artistic charm of Liu er character image from two aspects of "sublime" and "tragedy". The basic ideas are as follows: under the guidance of the theory of opera nature and opera aesthetics, this paper discusses how the composer takes the characters in the opera as the starting point from the angle of "the height analysis of opera characters". In the process, various artistic means are used to develop and complete the shaping of the opera image, so that the opera figures can be raised into vivid, vivid and moving opera images, thus endowing the opera works with the artistic value and charm for a long time. In the theoretical and practical sense, the comprehensive analysis of the musical factors of Liu er aria, the dramatic characteristics and aesthetic value of the character image, and the artistic charm of the composer is beneficial to enrich and develop the traditional opera theory in China. It is beneficial to further excavate the artistic connotation and value of the opera works, and at the same time to help the singers to create Liu's opera image and to create Liu's arias for the second time from a deeper level. This paper follows two logical clues of "works-people-works" and "creation, performance, appreciation" in writing arrangements. The full text is divided into four parts: the first chapter mainly describes Puccini's life and the creation of pictorial plays; The second chapter mainly discusses the background and process of the creation of Liu's opera image; the third chapter mainly analyzes the aesthetic value of Liu's image from the angle of drama music and aesthetics; the fourth chapter, This paper mainly analyzes Puccini's artistic charm and its artistic charm in the image shaping of Liu er.
【学位授予单位】：厦门大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J832

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