象征主义戏剧参与性观演关系的变革
发布时间：2018-08-26 17:20
【摘要】：19世纪末20世纪初,正当写实主义戏剧和剧场旁观者观演关系结构模式确立并逐渐占据主导地位之时,象征主义戏剧率先反思写实主义旁观者模式的问题,并进行参与性观演关系的变革。从"不可见世界"的真实对客观可见世界真实的质疑开始,从分析"细节的真实"到体认神秘力量的氛围,从旁观到应和,从有机情节编制的旁观者到参与情境的"另一半",象征主义戏剧的理论与实践从真实感、戏剧语言、情境等三个方面,打破了写实主义旁观者观演关系结构模式,力图建立参与性观演关系的戏剧和美学,探寻多种感知真实的可能性。
[Abstract]:At the end of the 19th century and the beginning of the 20th century, when the relationship between realistic drama and theatrical onlookers was established and gradually occupied the dominant position, symbolism drama took the lead in rethinking the model of realist bystander. And carry on the change of the relation of participation view and performance. From the truth of the invisible world to the doubt of the reality of the objective visible world, from the analysis of the "reality of the details" to the atmosphere of understanding the mysterious power, from watching the scene to responding to it, From the onlooker of organic plot to the "other half" of participating in the situation, the theory and practice of symbolism drama break the pattern of realistic onlooker view from three aspects: reality, drama language and situation. This paper tries to establish the drama and aesthetics of participatory view and performance, and to explore the possibility of perceiving reality.
【作者单位】： 云南行政学院文化与科技教研部;
【基金】：云南省哲学社会科学艺术科学一般项目(A2016YBZ010)
【分类号】：J805
本文编号：2205615
[Abstract]:At the end of the 19th century and the beginning of the 20th century, when the relationship between realistic drama and theatrical onlookers was established and gradually occupied the dominant position, symbolism drama took the lead in rethinking the model of realist bystander. And carry on the change of the relation of participation view and performance. From the truth of the invisible world to the doubt of the reality of the objective visible world, from the analysis of the "reality of the details" to the atmosphere of understanding the mysterious power, from watching the scene to responding to it, From the onlooker of organic plot to the "other half" of participating in the situation, the theory and practice of symbolism drama break the pattern of realistic onlooker view from three aspects: reality, drama language and situation. This paper tries to establish the drama and aesthetics of participatory view and performance, and to explore the possibility of perceiving reality.
【作者单位】： 云南行政学院文化与科技教研部;
【基金】：云南省哲学社会科学艺术科学一般项目(A2016YBZ010)
【分类号】：J805
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1 陈瘦竹;象征主义戏剧和现实生活[J];剧本;1981年12期
2 路海波;;象征主义戏剧[J];戏剧创作;1982年02期
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，本文编号：2205615
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