日本殖民统治时期台湾京调票房的民俗色彩
发布时间：2018-08-27 08:27
【摘要】：日本殖民统治时期京剧传入台湾后,迅速受到台湾民众的喜爱,台湾各地陆续出现以"京调"为学习对象的票房组织。这些票房因沿袭子弟曲馆的运作模式与戏神信仰,继承子弟曲馆的社会功能,并与子弟曲馆一起承当台湾民间祭祀活动中出阵游行、排场清唱、民俗演剧的任务,呈现出与京沪票房完全不一样的样貌,这正是京剧在台湾落地生根的重要标志之一。
[Abstract]:After the introduction of Peking Opera into Taiwan during the period of Japanese colonial rule, it was quickly loved by the Taiwan people. These box offices have inherited the social function of the children's music house because they have inherited the operating mode of the children's music hall and the belief of the opera god, and together with the children's song hall, they have taken on the tasks of marching, singing, and performing folklore in Taiwan's folk sacrificial activities. Showing a completely different look from the Beijing-Shanghai box office, this is one of the important signs that Beijing Opera takes root in Taiwan.
【作者单位】： 武夷学院人文学院;
【基金】：福建省社会科学规划项目“日据时期(1895-1945)台湾京剧批评观念与形态研究”(项目编号:FJ2015C094)阶段性成果
【分类号】：J821
，
本文编号：2206680
[Abstract]:After the introduction of Peking Opera into Taiwan during the period of Japanese colonial rule, it was quickly loved by the Taiwan people. These box offices have inherited the social function of the children's music house because they have inherited the operating mode of the children's music hall and the belief of the opera god, and together with the children's song hall, they have taken on the tasks of marching, singing, and performing folklore in Taiwan's folk sacrificial activities. Showing a completely different look from the Beijing-Shanghai box office, this is one of the important signs that Beijing Opera takes root in Taiwan.
【作者单位】： 武夷学院人文学院;
【基金】：福建省社会科学规划项目“日据时期(1895-1945)台湾京剧批评观念与形态研究”(项目编号:FJ2015C094)阶段性成果
【分类号】：J821
，
本文编号：2206680
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