歌剧《维特》中夏洛特的音乐形象及演唱分析
发布时间：2018-10-13 07:15
【摘要】：十九世纪的法国群星璀璨,众多杰出的文学和艺术大师聚集在这里,如作家雨果、巴尔扎克,绘画大师布格罗、马奈,作曲家柏辽兹、古诺等；为此这里吸引了许多来自外国的艺术家,各种思想流派、艺术流派相互交融与碰撞；形成法国艺术辉煌灿烂的鼎盛时期。著名的法国作曲家马斯内就生活在这样的环境中,他的创作具有承上启下的时代意义,是法国浪漫主义初期杰出的歌剧作曲家之一。马斯内根据歌德的同名小说改编谱写的歌剧《维特》广受欢迎,歌剧主要描写了男女主人公之间纠结痛苦的爱情矛盾。本论文以马斯内歌剧《维特》中的女主人公——夏洛特作为研究目标,以夏洛特感情矛盾和纠结的心理状态为切入点,从文学文本和歌剧脚本两个不同的视角来审视这部作品中女主人公的心路历程,以及与男主人公的情感纠结；寻求运用多种研究方式,通过分析歌德小说中的夏洛特、马斯内歌剧中的夏洛特,咏叹调中的夏洛特、不同歌唱家演绎的夏洛特,对女主人公夏洛特内心矛盾的产生、发展及结局进行分析梳理,以期获得对此人物更全面的理解,进而指导实际的演唱；也希望对其他声乐学习者有所启发。本文从五个章节进行论述,大致内容如下： 第一章,绪论,本章就论文选题缘由,国内外研究现状,研究方法和遇到的困难等内容做简单的介绍。 第二章,歌德小说中的夏洛特。本章首先从文学的视角出发,对歌德的《少年维特的烦恼》进行简述,介绍了歌德创作素材的来源,维特悲剧产生的原因以及歌德对夏洛特形象的描述,通过本章的分析初步了解文学作品中的夏洛特人物。 第三章,马斯内歌剧中的夏洛特。本章笔者将简述法国作曲家马斯内的生平、浪漫时期乐风对作曲家的影响、歌剧维特的创作、及音乐中塑造的夏洛特,探究马斯内如何把歌德的文字形象用音乐的语汇进行呈现；进而理解音乐中的夏洛特。 第四章,咏叹调中的夏洛特。在歌剧的第三幕中夏洛特的情感变化尤为戏剧性；三首咏叹调囊括了她全部的复杂情感世界。本章从咏叹调主题、咏叹调构架对《信之歌》、《让眼泪完全流尽》、《啊!我的勇气抛弃了我》三首咏叹调进行解读；感受夏洛特矛盾复杂的心路历程。 第五章,版本比较中的夏洛特。笔者就现有的资料,两版不同歌唱家对夏洛特的演绎进行介绍。最后谈及笔者学习演唱咏叹调的心得体会,进而体现理论与实践的结合。 笔者通过对夏洛特多元角度的分析,希望帮助学习者多角度的了解马斯内所创作的这一角色,体会作品精神内涵和风格特点,同时希望能引起更多人对为数不多的以女中音为主角的优秀歌剧作品予以更多的关注和研究。
[Abstract]:The French stars of the 19th century, many outstanding literary and artistic masters gathered here, such as the writer Hugo, Balzac, painting masters Bugelow, Manet, composer Berlioz, Cournot and so on; To this end, many artists from foreign countries, various schools of thought, art schools intermingled and collided with each other, forming the brilliant and prosperous period of French art. Masner, a famous French composer, lived in such an environment. His creation was of historical significance and was one of the outstanding opera composers in the early stage of French romanticism. According to Goethe's novel of the same name, Masner's opera "Witt" is popular, and the opera mainly describes the painful love conflict between male and female protagonists. This thesis takes Charlotte, the heroine of Masner's opera "Werther", as the research goal and the psychological state of Charlotte's emotional contradiction and entanglement as the starting point. From two different perspectives of literary text and opera script, this paper examines the heroine's mental course and emotional entanglement with the hero in this novel, and seeks to use various research methods to analyze Charlotte in Goethe's novel. Charlotte in Masner's opera, Charlotte in aria, Charlotte in different singers' interpretation, analyzes the generation, development and ending of Charlotte's inner contradictions in order to get a more comprehensive understanding of the characters. Then guide the actual singing; also hope to inspire other vocal music learners. This paper discusses from five chapters, as follows: the first chapter, introduction, this chapter on the topic of the thesis, the status quo of research at home and abroad, research methods and difficulties encountered to do a simple introduction. Chapter two, Charlotte in Goethe's novels. This chapter begins with a brief account of Goethe's troubles of Young Werther from the perspective of literature, and introduces the source of Goethe's creative material, the causes of Victor's tragedy, and Goethe's description of Charlotte's image. Through the analysis of this chapter, we have a preliminary understanding of Charlotte characters in literary works. Chapter three, Charlotte in Masner's Opera. In this chapter, I will give a brief account of the life of French composer Masner, the influence of the romantic music style on the composer, the creation of the opera Victor, and the creation of Charlotte in the music. This paper explores how Masner presents Goethe's characters in musical terms and understands Charlotte in music. Chapter four, Charlotte in arias. Charlotte's emotional changes are especially dramatic in the third act of the opera; the three arias capture all of her complex emotional worlds. This chapter from the aria theme, aria structure to "Song of faith", "Let tears flow completely", < ah! My courage forsaken me; three arias to interpret; to experience Charlotte's ambivalence and complexity of the journey. Chapter five, Charlotte in the version comparison. The author of the existing materials, two versions of different singers to Charlotte's interpretation of the introduction. Finally, I talk about the experience of learning singing aria, and then reflect the combination of theory and practice. Through the analysis of Charlotte's multi-angle, the author hopes to help learners to understand the character Masner created from many angles, and to understand the spiritual connotation and style characteristics of the works. At the same time, I hope more people will pay more attention and research to the few outstanding opera works which take the soprano as the protagonist.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J832
本文编号：2267750
[Abstract]:The French stars of the 19th century, many outstanding literary and artistic masters gathered here, such as the writer Hugo, Balzac, painting masters Bugelow, Manet, composer Berlioz, Cournot and so on; To this end, many artists from foreign countries, various schools of thought, art schools intermingled and collided with each other, forming the brilliant and prosperous period of French art. Masner, a famous French composer, lived in such an environment. His creation was of historical significance and was one of the outstanding opera composers in the early stage of French romanticism. According to Goethe's novel of the same name, Masner's opera "Witt" is popular, and the opera mainly describes the painful love conflict between male and female protagonists. This thesis takes Charlotte, the heroine of Masner's opera "Werther", as the research goal and the psychological state of Charlotte's emotional contradiction and entanglement as the starting point. From two different perspectives of literary text and opera script, this paper examines the heroine's mental course and emotional entanglement with the hero in this novel, and seeks to use various research methods to analyze Charlotte in Goethe's novel. Charlotte in Masner's opera, Charlotte in aria, Charlotte in different singers' interpretation, analyzes the generation, development and ending of Charlotte's inner contradictions in order to get a more comprehensive understanding of the characters. Then guide the actual singing; also hope to inspire other vocal music learners. This paper discusses from five chapters, as follows: the first chapter, introduction, this chapter on the topic of the thesis, the status quo of research at home and abroad, research methods and difficulties encountered to do a simple introduction. Chapter two, Charlotte in Goethe's novels. This chapter begins with a brief account of Goethe's troubles of Young Werther from the perspective of literature, and introduces the source of Goethe's creative material, the causes of Victor's tragedy, and Goethe's description of Charlotte's image. Through the analysis of this chapter, we have a preliminary understanding of Charlotte characters in literary works. Chapter three, Charlotte in Masner's Opera. In this chapter, I will give a brief account of the life of French composer Masner, the influence of the romantic music style on the composer, the creation of the opera Victor, and the creation of Charlotte in the music. This paper explores how Masner presents Goethe's characters in musical terms and understands Charlotte in music. Chapter four, Charlotte in arias. Charlotte's emotional changes are especially dramatic in the third act of the opera; the three arias capture all of her complex emotional worlds. This chapter from the aria theme, aria structure to "Song of faith", "Let tears flow completely", < ah! My courage forsaken me; three arias to interpret; to experience Charlotte's ambivalence and complexity of the journey. Chapter five, Charlotte in the version comparison. The author of the existing materials, two versions of different singers to Charlotte's interpretation of the introduction. Finally, I talk about the experience of learning singing aria, and then reflect the combination of theory and practice. Through the analysis of Charlotte's multi-angle, the author hopes to help learners to understand the character Masner created from many angles, and to understand the spiritual connotation and style characteristics of the works. At the same time, I hope more people will pay more attention and research to the few outstanding opera works which take the soprano as the protagonist.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J832
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