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论音乐剧《剧院魅影》的艺术创作和演绎

发布时间:2018-10-23 07:02
【摘要】: 英国著名音乐剧作家韦伯创作的《剧院魅影》在世界各地的成功上演引起了音乐界的广泛关注,取得巨大成功。本文从对一度创作成果——剧本的分析入手,将小说原作和音乐剧脚本进行比照分析,试图发现一度文学创作到音乐剧脚本改编之间的衍生过程;进而对音乐剧的音乐创作进行诸多方面的梳理,对音乐剧“音乐戏剧性”、音乐整体布局的构成进行详实的剖析,探析该剧音乐创作的各种表现手法;最后,从演唱主体的视角对主要人物的唱段和演绎逐句逐段地分析和解释,并对二度创作中表演者的创作工序、创作方法、演唱风格等方面进行思考,探索该剧成功的各相关要旨。
[Abstract]:The successful performance of the Phantom of the Theatre by British music playwright Weber has attracted wide attention and achieved great success. Starting with the analysis of the script, the author compares the original novel with the musical script, and tries to find out the derivative process between the once literary creation and the adaptation of the musical script. Then combing the musical music creation in many aspects, analyzing the musical "musical drama", the composition of the overall music layout, and exploring the various expression techniques of the musical music creation; finally, This paper analyzes and explains the main characters' verses and deductions sentence by sentence from the perspective of the main singing subject, and thinks about the performers' creative process, creative methods, singing style and so on in the second creation, and probes into the relevant tenets of the success of the play.
【学位授予单位】:福建师范大学
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:J833

【引证文献】

相关期刊论文 前1条

1 周敏;;音乐剧《剧院魅影》独特魅力探析[J];长春师范学院学报;2012年10期



本文编号:2288418

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