论歌剧《党的女儿》的音乐特征及不同唱段演唱形式分析

发布时间：2018-10-23 11:33

【摘要】：大型六场民族歌剧《党的女儿》于1992年由总政歌剧团首演,二十多年来深受老百姓及学院学生和院团专业演员的喜爱,不少地区的歌舞剧院在复排此剧。可以说《党的女儿》这部歌剧是继《白毛女》之后对传统革命题材作品的发展与继承,是我国歌剧的又一部佳作。在以往研究这部歌剧的文章中多为主人公田玉梅唱段的作品分析和歌唱者二度创作方向研究。而本人在去年与曹峻玲老师排演过本歌剧的片段,在剧中饰演“桂英”一角,并为学弟学妹们排练剧中合唱、对唱、伴唱部分。因此本文意在亲身排练、演唱和表演的基础上,对歌剧《党的女儿》的音乐特征和不同唱段的演唱形式进行分析研究,特别是对不同人物的情感表达与各种演唱形式的总结分析。本文正文分为三章。第一章主要是对歌剧《党的女儿》的概述,包括创作背景,故事梗概和音乐结构方面的阐述;第二章为本篇论文最重要的部分,总结了歌剧《党的女儿》中具有鲜明特色的唱段的演唱形式并进行了情感分析。对本人出演“桂英”一角在情感把握上进行了具体的叙述,着重表达了不同演唱形式的交替变换对整部歌剧的重要性。最后一章主要是对歌剧《党的女儿》的应用价值研究。《党的女儿》这部时代红色歌剧值得我们从各方面体会、学习和研究。
[Abstract]:The daughter of the Party, a large six national opera, was premiered by the General political Opera Troupe in 1992. For more than 20 years, it has been loved by the common people, college students and professional actors of the Academy, and many local opera and dance theatres are reproducing the play. It can be said that the opera "the daughter of the Party" is the development and inheritance of the traditional revolutionary works after the "White-haired Girl", and it is another excellent work of our country's opera. In previous studies of this opera, most of the works of Tian Yumei, the protagonist, and the direction of the singer's second creation are analyzed. Last year I rehearsed the opera with Tsao Jun-ling, playing the part of "Gui Ying" and rehearsing the chorus, duet and accompaniment for my younger brothers and sisters. Therefore, on the basis of rehearsing, singing and performing in person, this paper analyzes and studies the musical characteristics and different singing forms of the opera "daughter of the Party". In particular, the emotional expression of different characters and various forms of singing summary and analysis. The text of this paper is divided into three chapters. The first chapter is an overview of the opera "daughter of the Party", including the background of the creation, the outline of the story and the structure of the music; the second chapter is the most important part of this paper. This paper sums up the singing form and emotional analysis of the canto with distinct characteristics in the opera "daughter of the Party". In this paper, I play the role of "Gui Ying" in the emotional grasp of the specific narration, focusing on the different singing forms of alternating changes to the importance of the entire opera. The last chapter mainly studies the applied value of the opera "the daughter of the Party", which is worth our understanding, study and research from all aspects.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2

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