论样板戏的非作者性

发布时间：2018-11-15 17:46

【摘要】：以"集体"署名取代个人署名,是革命样板戏的一大标志。对样板戏诸版本进行文本分析,重点比较版本演变中人物角色和情节结构设置变化与作者署名变化的相关性,可以考得样板戏具有"非作者性"。由个人创作者赋予文本的人格化、个人化的元素在集体创作的语境中被消解,文本及人物的非真实性有赖于非作者性,而非作者性又确保了文本及人物的非真实性,两者互为因果。由多个成员组成的集体创作班子之所以能以合作的方式创作出形式与内容高度完整的样板戏,是由于凌驾于创作班子以及其他所有关心并提出修改意见者之上的"全知视角"起了统领样板戏文艺路线和引导方向的作用。集体创作作为全知视角的忠实执行者,旨在通过样板戏的展演诱导观众对剧中正面英雄人物形成自我指涉,这是样板戏的最高审美目标。
[Abstract]:Replacing individual signature with collective signature is a symbol of revolutionary model opera. The text analysis of various versions of the model opera and the comparison of the relationship between the changes of the characters' characters and the plot structure and the author's signature in the evolution of the models show that the model operas have "non-authorship". The personalization of the text given by the individual creator and the personal elements are eliminated in the context of collective creation. The non-authenticity of the text and the characters depends on the non-authorship, and the non-authorship ensures the non-authenticity of the text and the characters. The two are causality. The reason why the collective creative team composed of many members was able to create a model opera with a high degree of integrity in form and content in a cooperative manner, It is because the "omniscient angle of view", which is above the creative team and all others concerned with and proposing the revised opinions, plays a leading role in guiding the literary and artistic line and guiding direction of the model opera. Collective creation, as the faithful executor of the omniscient perspective, aims to induce the audience to form self-reference to the heroes in the play through the demonstration of the model opera, which is the highest aesthetic goal of the model opera.
【作者单位】：浙江大学;
【分类号】：I207.3;J805

【共引文献】