辽南皮影戏调查与研究
发布时间：2018-11-17 13:38
【摘要】：辽南地区，旧时俗称“管王之地”。从地域上来讲，辽南地区主要包括今天的大连市、瓦房店市、普兰店市、大石桥市、庄河市、长海县、营口市、海城市、盖州市和岫岩县总共10个县市区。在上个世纪60年代的时候国家曾在这里设立了辽南专属区。因三国时期的管宁、王烈等来自山东的学着来到这里讲学，使得这里的文化与其它地区产生了很大的差异，故将此地称为“管王之地”。随着明清时期经济文化交流的不断加深，来自中原地区的皮影戏也渐渐传入辽南地区，并且根据自身的地方特色，形成了具有独特艺术价值的“辽南皮影戏”。 本篇论文主要从九个方面对辽南皮影戏展开具体的论述。引言部分主要是概说了中国皮影戏的历史。第一部分介绍了辽南皮影戏的历史渊源和它的发展，首先讲述了中国皮影戏对辽南皮影戏的产生所起的作用；其次写了辽宁皮影戏经过一代一代艺人们的不断探索和创新，逐渐发展起来的过程。第二部分主要是从头茬、戳子、砌末、场片这四个方面介绍了辽南皮影戏的艺术造型。第三部分从文本的角度讲述了辽南皮影的影卷创作；从音乐和演唱方面介绍了辽南皮影的唱腔风格，并且详细阐述了它经历了“诵经调”时期、“联曲体”时期和“板腔体”时期这三个历史阶段。第四部分介绍了辽南皮影戏的唱腔，首先概括了它的三种唱腔，分为大嗓、小嗓、阴阳嗓，，然后更细致深入地讲述了九种不同的板腔形式。第五部分阐述了七字赋、三顶七、十字赋、五字锦、赞、搭拉句子、三字赋这七种不同的唱词，以及辽南皮影戏在音乐节奏上所进行的革新。第六部分介绍了辽南皮影六种不同的演出形式和表演技巧。第七部分阐述了辽南皮影独特的艺术造型和制作工艺，即以驴皮作为皮影的主要加工材料，以中影人作为辽南皮影主要的人物造型。第八部分主要介绍了辽南皮影戏转变为辽南影调戏的过程与发展，辽南影调戏对皮影从唱法、伴奏唱腔方面进行了音乐上的革新。第九部分介绍了辽南皮影戏中不同的皮影派别，并以辽南皮影中颇具代表性的复州皮影戏为例，对其进行详细地阐述。
[Abstract]:Southern Liaoning, the old commonly known as "management of the land of king." Geographically speaking, southern Liaoning mainly includes Dalian, Wafangdian, Plantan, Dashiqiao, Zhuanghe, Changhai, Yingkou, Haicheng, Gaizhou and Xiuyan cities. In the 1960 s, the state set up a special zone in southern Liaoning. Because Guan Ning, Wang Li and other scholars from Shandong came here to lecture in the three Kingdoms period, the culture here was very different from other regions, so it was called "the land of governing the king". With the deepening of economic and cultural exchanges in the Ming and Qing dynasties, shadow play from the Central Plains region was gradually introduced into southern Liaoning, and according to its own local characteristics, it formed a unique artistic value of "Shadow play in southern Liaoning Province." This paper mainly discusses the shadow play in southern Liaoning from nine aspects. The introduction is mainly an overview of the history of Chinese shadow play. The first part introduces the historical origin and development of shadow play in southern Liaoning. Firstly, it describes the role of Chinese shadow play in the production of shadow play in southern Liaoning Province. Secondly, Liaoning shadow play through a generation of artists to explore and innovate, the process of gradual development. The second part mainly introduces the artistic modeling of Shadow play in southern Liaoning Province. The third part from the text point of view about the shadow of southern Liaoning shadow creation; This paper introduces the singing style of shadow in southern Liaoning from the aspects of music and singing, and expounds in detail that it has experienced three historical stages, namely, the period of chanting, the period of "United body" and the period of "board cavity". The fourth part introduces the singing of Shadow Opera in southern Liaoning Province, first summarizes its three kinds of singing, including big voice, small voice, yin and yang voice, and then narrates nine different forms of board cavity in more detail. In the fifth part, the author expounds seven different lyrics of seven characters Fu, three Dingqi Fu, Cross Fu, five character brocade, Zan, tie La sentence, three characters Fu, and the innovation in music rhythm of Liao Nan Shadow Opera. The sixth part introduces six different performance forms and performance techniques of shadow in southern Liaoning. The seventh part expounds the unique artistic modeling and making technology of the shadow in southern Liaoning Province, that is, the donkey skin as the main processing material, and the people in the middle film as the main characters of the shadow in southern Liaoning Province. The eighth part mainly introduces the process and development of the transformation from shadow play to shadow play in southern Liaoning. The ninth part introduces the different shadow groups in the shadow play of southern Liaoning Province, and takes Fuzhou shadow play, a representative shadow play in southern Liaoning Province, as an example to elaborate it in detail.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J827
[Abstract]:Southern Liaoning, the old commonly known as "management of the land of king." Geographically speaking, southern Liaoning mainly includes Dalian, Wafangdian, Plantan, Dashiqiao, Zhuanghe, Changhai, Yingkou, Haicheng, Gaizhou and Xiuyan cities. In the 1960 s, the state set up a special zone in southern Liaoning. Because Guan Ning, Wang Li and other scholars from Shandong came here to lecture in the three Kingdoms period, the culture here was very different from other regions, so it was called "the land of governing the king". With the deepening of economic and cultural exchanges in the Ming and Qing dynasties, shadow play from the Central Plains region was gradually introduced into southern Liaoning, and according to its own local characteristics, it formed a unique artistic value of "Shadow play in southern Liaoning Province." This paper mainly discusses the shadow play in southern Liaoning from nine aspects. The introduction is mainly an overview of the history of Chinese shadow play. The first part introduces the historical origin and development of shadow play in southern Liaoning. Firstly, it describes the role of Chinese shadow play in the production of shadow play in southern Liaoning Province. Secondly, Liaoning shadow play through a generation of artists to explore and innovate, the process of gradual development. The second part mainly introduces the artistic modeling of Shadow play in southern Liaoning Province. The third part from the text point of view about the shadow of southern Liaoning shadow creation; This paper introduces the singing style of shadow in southern Liaoning from the aspects of music and singing, and expounds in detail that it has experienced three historical stages, namely, the period of chanting, the period of "United body" and the period of "board cavity". The fourth part introduces the singing of Shadow Opera in southern Liaoning Province, first summarizes its three kinds of singing, including big voice, small voice, yin and yang voice, and then narrates nine different forms of board cavity in more detail. In the fifth part, the author expounds seven different lyrics of seven characters Fu, three Dingqi Fu, Cross Fu, five character brocade, Zan, tie La sentence, three characters Fu, and the innovation in music rhythm of Liao Nan Shadow Opera. The sixth part introduces six different performance forms and performance techniques of shadow in southern Liaoning. The seventh part expounds the unique artistic modeling and making technology of the shadow in southern Liaoning Province, that is, the donkey skin as the main processing material, and the people in the middle film as the main characters of the shadow in southern Liaoning Province. The eighth part mainly introduces the process and development of the transformation from shadow play to shadow play in southern Liaoning. The ninth part introduces the different shadow groups in the shadow play of southern Liaoning Province, and takes Fuzhou shadow play, a representative shadow play in southern Liaoning Province, as an example to elaborate it in detail.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J827
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