文化变迁视野下的商丘四平调研究

发布时间：2018-11-21 17:18

【摘要】：四平调剧种最初起源并流行于山东、江苏、安徽、河南几省接壤地区的一种民间说唱艺术演变而成。商丘四平调则是流传于河南省商丘地区的四平调剧种之一，其在四平调的基础上吸纳了商丘的本土戏曲音乐，形成了自己独特的四平调风格，是传统地方戏曲文化的典型代表。由于历史的变迁，社会文化的影响，使得商丘四平调在变迁的社会历史背景下呈现出不同的生存形态。2006年，商丘四平调被国务院批准为“国家级首批非物质文化遗产”。商丘四平调在“文化变迁”的语境中，笔者从历史文化，社会背景以及生态环境等作为整体的研究视角，梳理商丘四平调在传统语境下的变迁过程。当商丘四平调这样一个传统的民间戏曲，，在遇到了现代多元文化的冲击后，对商丘四平调文化变迁又具有极为深远的影响。本文将商丘四平调及其剧团近百年的剧种文化变迁作为个案，用文化变迁的视角对商丘四平调进行多层分析，来揭示传统的商丘四平调剧种在适应当下社会文化冲击下的生存现状。论文是在田野调查和文献分析的基础上，在人类学的研究范畴内，运用民族音乐学的理论观念和指导方法，对商丘四平调以及其剧团的文化变迁生存现状进行研究，全文除了绪论和结语之外，正文部分分为四部分，其内容如下：绪论部分提出本文的研究缘起、文献综述、方法、视角及其研究思路。第二部分是在文化变迁视野下分析商丘四平调与其依附的地域特征、人文历史背景、曲艺文化以及四平调的历史溯源等进行考察，试图揭示商丘四平调与其生存背景的互动关系。第三部分从表演形式、剧团的运行机制以及师承状况等各个方面运用历史时间发展的顺序对商丘四平调及其剧团的变迁进行梳理。第四部分是对商丘四平调及其剧团的生存现状进行跟踪调查，分别从剧团生存现状、传承现状、艺人生存现状以及演出活动寻找当代变迁轨迹。第五部分是对商丘四平调传统与现代变迁的多层分析，从外界影响、功能变迁进行比较分析。
[Abstract]:Siping Opera originated from Shandong, Jiangsu, Anhui and Henan provinces and developed into a folk rap art in the contiguous areas of Shandong, Jiangsu, Anhui and Henan provinces. On the other hand, Shangqiu Siping tune is one of the Siping operas spread in Shangqiu area of Henan Province. It absorbs the local opera music of Shangqiu on the basis of Siping tune, forms its own unique style of Siping tune, and is a typical representative of traditional local opera culture. Because of the change of history and the influence of social culture, the Siping tune of Shangqiu presents different forms of existence under the changing social and historical background. In 2006, it was approved by the State Council as "the first batch of intangible cultural heritage at the national level". Shang Qiu Siping is in the context of "cultural change". From the perspective of historical culture, social background and ecological environment as a whole, the author sorts out the changing process of Shangqiu Siping tune in the traditional context. When Shangqiu Siping tune, a traditional folk opera, encountered the impact of modern multiculturalism, it had a profound influence on the cultural change of Shangqiu Siping tune. This paper takes the cultural changes of Shangqiu Siping tune and its theatrical troupe in the past 100 years as a case study, and analyzes Shangqiu Siping tune from the perspective of cultural change. To reveal the traditional Shangqiu Siping drama in the current social and cultural impact under the survival of the status quo. On the basis of field investigation and literature analysis, using the theory and guiding method of ethomusicology, this paper studies the existing situation of the cultural changes of Shangqiu Siping tune and its troupe in the field of anthropology. In addition to the introduction and conclusion, the text is divided into four parts. The content is as follows: the introduction part puts forward the origin of this study, literature review, methods, perspective and research ideas. The second part is to analyze the regional characteristics of Shangqiu Siping tune and its dependence, the humanistic historical background, the quyi culture and the historical origin of Siping tone under the perspective of cultural change. This paper attempts to reveal the interactive relationship between Shang Qiu Siping and its living background. The third part combs the changes of Shangqiu Siping tune and its troupe from the performing form, the operational mechanism of the troupe and the status of the division of the troupe, using the order of historical time development. The fourth part is to follow and investigate the survival status of Shangqiu Siping and its troupe, respectively from the survival status of the troupe, inheritance status, artist survival status and performance activities to find the track of contemporary changes. The fifth part is the multi-layer analysis of the traditional and modern changes of Siping regulation in Shangqiu.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J825

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