从杨小青、郭小男导演艺术探索论当代越剧发展的特征
发布时间：2018-11-23 10:42
【摘要】：越剧导演对推动越剧发展的贡献较之其他剧种明显无比。越剧是最早建立导演制度的戏曲剧种。随着导演中心制、权威制的确立,越剧作为一门综合性的艺术形态也就随之确立,对越剧整体性的发展做出卓越贡献。 进入90年代,电影、电视、大众娱乐、网络动画等新型传媒工具日益崛起,越剧在竞争中“被”边缘化。是加快改革、迎合潮流?还是坚持本体、唯心是求?成为新一轮越剧导演思考的问题。本文将重点探讨杨小青、郭小南兼及其他导演在当代越剧领域的探索。对杨小青提升“诗化越剧”与郭小南定位“文化越剧”的两种审美倾向及导演风格追求、导演手法运用进行归纳梳理与比较认识,进而进一步思考越剧的本体究竟是什么?极致追求“形式美”与高度关注“文人化”会不会造成更大的审美危机?如何赋予“越国秀美的山水、淳朴的人情、悠扬的节奏”以崭新的审美诉求,创造充满生命活力的人物形象。
[Abstract]:The director's contribution to promoting the development of Vietnamese opera is more obvious than that of other operas. Yueju Opera is the earliest opera drama that established the director system. With the establishment of director center system and authority system, Yue Opera, as a comprehensive art form, has made outstanding contributions to the overall development of the opera. In the 1990s, new media tools, such as film, television, mass entertainment, network animation and so on, rose day by day, and Yue Opera was "marginalized" in the competition. Is it to speed up the reform to meet the trend? Or adhere to the Noumenon, idealism is to seek? Become a new round of Vietnamese opera director thinking of the problem. This article will focus on Yang Xiaoqing, Guo Xiaonan and other directors in the field of contemporary Yue Opera exploration. To promote "poetic Yue Opera" and Guo Xiaonan positioning "Cultural Yue Opera" of the two aesthetic tendencies and director style pursuit, the use of director techniques to summarize and compare the understanding, and then further think of the Yueju opera is what the Noumenon? Will the pursuit of "formal beauty" and high attention to "literati" cause a greater aesthetic crisis? How to endow "beautiful landscape, simple human feelings and melodious rhythm" with a new aesthetic appeal and create a character image full of life vitality.
【学位授予单位】：上海戏剧学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J825
本文编号：2351296
[Abstract]:The director's contribution to promoting the development of Vietnamese opera is more obvious than that of other operas. Yueju Opera is the earliest opera drama that established the director system. With the establishment of director center system and authority system, Yue Opera, as a comprehensive art form, has made outstanding contributions to the overall development of the opera. In the 1990s, new media tools, such as film, television, mass entertainment, network animation and so on, rose day by day, and Yue Opera was "marginalized" in the competition. Is it to speed up the reform to meet the trend? Or adhere to the Noumenon, idealism is to seek? Become a new round of Vietnamese opera director thinking of the problem. This article will focus on Yang Xiaoqing, Guo Xiaonan and other directors in the field of contemporary Yue Opera exploration. To promote "poetic Yue Opera" and Guo Xiaonan positioning "Cultural Yue Opera" of the two aesthetic tendencies and director style pursuit, the use of director techniques to summarize and compare the understanding, and then further think of the Yueju opera is what the Noumenon? Will the pursuit of "formal beauty" and high attention to "literati" cause a greater aesthetic crisis? How to endow "beautiful landscape, simple human feelings and melodious rhythm" with a new aesthetic appeal and create a character image full of life vitality.
【学位授予单位】：上海戏剧学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J825
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相关期刊论文 前2条
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