莱芜梆子研究

发布时间：2018-11-25 17:36

【摘要】： 莱芜梆子,亦名莱芜讴,是形成并流传于山东省莱芜市及周边地区的地方戏曲剧种。清代地方戏勃兴,康熙年间秦晋的山陕梆子东传进入山东,演变为章丘梆子和曹州梆子,乾隆年间徽班北上,将演唱的徽调多种声腔带入山东。咸丰初年,徽班吸纳梆子声腔艺人合班演出,故最初的莱芜梆子是梆子声腔东传之分支与徽班演唱之徽调结合的产物。在同班共演过程中,因战乱南北交流受阻,徽调多种声腔得不到江南徽班的接济,占有方言语音、民间音乐、欣赏习惯等地缘优势的梆子腔逐渐占有主体地位。伴随着社会的剧烈动荡和变化,梆子腔进一步发展壮大,徽调多种声腔逐渐衰微。建国后尤其是新时期以来,莱芜梆子有很大的提高和较快的发展,在现代戏的编演方面取得了丰硕成果。现在的莱芜梆子虽吸收有一些徽调的成分,但更多地呈现出的是梆子声腔的特点,徽戏声腔已基本不再演唱。论文主要从六个方面进行了论述:一、介绍莱芜梆子的生存环境、前人研究成果及存在问题、选题的目的和意义;二、探寻莱芜梆子的渊源,辨析关于其起源的几种不同说法,得出结论:莱芜梆子是“梆子声腔东传之分支吸收徽调营养演变而来”,论述莱芜梆子的形成过程及发展轨迹;三、对莱芜梆子现存剧目(包括建国前演出的剧目和建国后整改、创作的剧目)进行统计与分类,分析论述莱芜梆子传统剧目和现代戏剧目的思想内容与语言特色;四、从音乐体制、表演风格、舞台美术三个方面入手研究莱芜梆子的舞台美术;五、由田野调查得来的莱芜梆子历史上班社、业余班社和艺人,建国后的专业剧团及所培养出的优秀演员,以及他们在莱芜梆子发展史上的贡献;六、通过考察莱芜梆子的生存现状与发展前景,分析弘扬戏曲的途径,对其未来发展提出自己的意见和建议。莱芜梆子2008年入选国家级非物质文化遗产名录,地方政府制定出了保护措施和五年规划,其有望得到有效保护。莱芜梆子作为民族传统文化和艺术,会不断地传承下去,地方戏艺术之花将开放得更加绚丽多彩。
[Abstract]:Laiwu Bangzi, also known as Laiwu ou, is formed and spread in Laiwu City, Shandong Province and surrounding areas of local opera drama. In the Qing Dynasty, the local opera flourished, Qin Jin's Shan Bangzi passed eastward into Shandong during the Kangxi period and evolved into Zhangqiu Bangzi and Cao Zhou Bangzi. Xianfeng early years, Huiban absorption Bangzi singer performance, so the original Laiwu Bangzi is the branch of Bangzi sound to the east and Hui class of the combination of the Hui. In the same class, due to the conflict between the north and south of the communication blocked, Huidiao multi-tone can not be received by the Jiangnan Huiban, occupies dialect voice, folk music, appreciation habits and other geographical advantages of the Bangzi tune gradually occupies the main position. With the violent social turbulence and changes, Bangzi further development, Hui tune a variety of sound gradually decline. Since the founding of the people's Republic of China, especially in the new period, Laiwu Bangzi has greatly improved and developed rapidly. Now Laiwu Bangzi absorbs some elements of Hui tune, but more presents the characteristics of Bangzi sound, Huixi sound has been basically no longer singing. This paper mainly discusses from six aspects: first, introduce the living environment of Laiwu Bangzi, the previous research results and existing problems, the purpose and significance of the topic; Second, explore the origin of Laiwu Bangzi, analyze several different theories about its origin, and draw the conclusion that Laiwu Bangzi is "the branch of Laiwu Bangzi that spread eastward to absorb the nutrition evolution of Huidiao", and discusses the forming process and development track of Laiwu Bangzi; Third, the existing repertoire of Laiwu Bangzi (including the repertoire performed before and after the founding of the people's Republic of China and the repertoire created after the founding of the people's Republic of China) were analyzed and classified, and the ideological content and language features of the traditional and modern opera repertoire of Laiwu Bangzi were analyzed and discussed. Fourthly, the stage art of Laiwu Bangzi is studied from three aspects: music system, performance style and stage art. Fifth, Laiwu Bangzi Historical work Society, amateur class club and artists, professional troupes after the founding of the people's Republic of China and the outstanding actors they have cultivated, as well as their contributions in the history of Laiwu Bangzi; Sixthly, through investigating the existing situation and development prospect of Laiwu Bangzi, analyzing the ways to carry forward the opera, and putting forward its own opinions and suggestions for the future development of Laiwu Bangzi. Laiwu Bangzi was selected as a national intangible cultural heritage list in 2008, and the local government has formulated protection measures and five-year plan, which is expected to be effectively protected. Laiwu Bangzi as a national traditional culture and art, will continue to pass on, the flowers of local opera art will be more colorful.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J825

【共引文献】