论五音戏的艺术特征及传承与发展
发布时间：2018-12-13 18:05
【摘要】： 五音戏是流传于山东淄博、章丘一带的山东独有剧种,至今已有近三百年的历史。2006年5月20日我国公布了第一批非物质文化遗产,五音戏名列其中。本文通过对五音戏的起源与历史沿革进行回顾,试图从客观的分析入手,对五音戏的唱腔、唱词、剧目、表演、伴奏等艺术要素进行梳理,归纳、总结五音戏的艺术特征。自新中国成立以来,五音戏在唱腔音乐、剧目、表演、舞美、灯光音响等方面进行了改革,取得一定的成绩,然而,二十世纪九十年代以来,五音戏面临着演员、编剧、作曲者匮乏、观众群体流失、民间剧团稀少等困境,其状况不容乐观,笔者对以上问题进行思考,分析其中的成功与不足,并在此背景下,以非物质文化遗产的保护与传承为出发点,深层次的挖掘其价值及功能,提出五音戏保护、传承与发展的措施,本文对五音戏的传承发展具有较强的现实应用价值。
[Abstract]:Wuyin Opera is a unique kind of drama in Zibo, Zhangqiu, Shandong Province, which has a history of nearly 300 years. On May 20, 2006, China announced the first batch of intangible cultural heritage, among which Wuyin Opera was listed. By reviewing the origin and historical evolution of the five-tone opera, this paper tries to analyze objectively the artistic elements of the five-tone opera, such as singing, lyrics, repertoire, performance, accompaniment, and so on, and sums up the artistic characteristics of the five-tone opera. Since the founding of the people's Republic of China, five-tone opera has been reformed in the aspects of singing music, repertoire, performance, dance beauty, lighting and sound, and has made certain achievements. However, since the 1990s, five-tone opera has been faced with actors and screenwriters. The situation is not optimistic because of the shortage of composers, the loss of audience and the scarcity of folk theatrical troupes. The author thinks about the above problems, analyzes their successes and shortcomings, and in this context, Taking the protection and inheritance of intangible cultural heritage as the starting point, the author excavates its value and function deeply, and puts forward the measures of protection, inheritance and development of Wuyin Opera. This article has a strong practical application value to the inheritance and development of Wuyin Opera.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J825
本文编号：2376981
[Abstract]:Wuyin Opera is a unique kind of drama in Zibo, Zhangqiu, Shandong Province, which has a history of nearly 300 years. On May 20, 2006, China announced the first batch of intangible cultural heritage, among which Wuyin Opera was listed. By reviewing the origin and historical evolution of the five-tone opera, this paper tries to analyze objectively the artistic elements of the five-tone opera, such as singing, lyrics, repertoire, performance, accompaniment, and so on, and sums up the artistic characteristics of the five-tone opera. Since the founding of the people's Republic of China, five-tone opera has been reformed in the aspects of singing music, repertoire, performance, dance beauty, lighting and sound, and has made certain achievements. However, since the 1990s, five-tone opera has been faced with actors and screenwriters. The situation is not optimistic because of the shortage of composers, the loss of audience and the scarcity of folk theatrical troupes. The author thinks about the above problems, analyzes their successes and shortcomings, and in this context, Taking the protection and inheritance of intangible cultural heritage as the starting point, the author excavates its value and function deeply, and puts forward the measures of protection, inheritance and development of Wuyin Opera. This article has a strong practical application value to the inheritance and development of Wuyin Opera.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J825
【引证文献】
相关期刊论文 前1条
1 薛静;;临朐周姑戏及其发展现状研究[J];音乐时空;2013年02期
，本文编号：2376981
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