寿阳坐唱及其小戏化倾向研究
发布时间：2018-12-14 04:30
【摘要】：寿阳坐唱,主要产生于寿阳县境内,是民间艺人在街头的道古、说唱,在晋中地区广为流传。 寿阳坐唱产生于新中国成立初期,寿阳县文化馆曲艺工作者在当地民歌小调的基础上,吸收了莲花落的说唱曲调,并在晋南道情和武乡琴书的音乐影响下创作而成。五六十年代发展非常迅速,但是在文化大革命期间发展却受到了阻碍,一直到党的十一届三中全会后,才又走向正规,八十年代寿阳坐唱进入其发展的高峰期,但是在九十年代却逐渐走向衰落,乃至现在濒临灭绝,对其进行及时有效的保护,是我们现在所面临的重大任务。 寿阳坐唱特色鲜明:语言通俗易懂,且具有乡土气息;音乐体制独树一帜,既有原调,又有花调;表演形式也独具特色,文场武场台上坐,一人演多角,演员自弹自唱,演出地点也非常随意;表现形式较之戏曲更加直接,比之戏曲更容易与观众交流与互动。运用说、唱、演、噱、学的艺术手法,深受观众的喜爱。最应该引起关注的是其在发展后期所出现的小戏化倾向,唱词由第三人称转变为第一人称,出现了简单的装扮,身段的程式化和虚拟性的表演,还直接插入戏曲声腔,从这些方面都能够看出寿阳坐唱的小戏化倾向愈来愈浓。寿阳坐唱的剧本内容充实、题材广泛,思想内涵丰富。因此,成为了寿阳县人民非常喜爱的表演艺术形式。 目前寿阳坐唱面临十分困难的处境,生存状态岌岌可危:演员传承面临断代的危险;剧本创作后继无人;形式内容老化影响其发展;观众年龄结构老龄化并日趋减少。为保护这一濒临灭绝的地方剧种,寿阳坐唱要不断地推陈出新,注入新鲜元素;还要获取政府部门的支持与帮助,成立专门的保护机构。 本文是在戏曲田野调查的基础下,结合学科内部及传播学理论与非物质文化遗产保护的理论,从人类学、、民俗学、宗教学的角度,对寿阳坐唱这一濒临消亡的地方小戏,做一最大程度的关注与全面的研究。从而总结出寿阳坐唱的艺术价值与文化价值,提出可行性的保护措施,展望其发展前景。本文认为,寿阳坐唱的发展面临着和其他戏曲剧种同样的问题,我们亟需为之创造良好的生存环境,并使之走入良性发展的轨道。
[Abstract]:Shouyang sit-sing, mainly produced in Shouyang County, is a folk artist in the streets of Daogu, rap, widely spread in Jinzhong region. Shouyang was born in the early days of the founding of New China. On the basis of the local folk song minor, the qu artists of Shouyang County Cultural Center absorbed the lianhualuo rap tune and created it under the influence of Jinnan Taoism and Wuxiang Qin books. In the 1950s and 1960s, the development was very rapid, but it was hindered during the Cultural Revolution. It was not until after the third Plenary session of the Eleventh Central Committee of the Party that it became formal again. In the 1980s, Shouyang sat down and sang at the peak of its development. However, in the 1990s, it has gradually declined, and now it is on the verge of extinction. It is a great task for us to protect it timely and effectively. The characteristics of Shouyang's sitting and singing are as follows: the language is easy to understand and has a local flavor, the music system is unique, both original and flower-like; The performance form is also unique, Wenchang Wuchang sitting on the stage, one person acting multi-angle, the actor playing from singing, the performing place is also very casual; the form of performance is more direct than the opera, more easy to communicate and interact with the audience than the opera. The use of saying, singing, acting, amusement, learning the art techniques, deeply loved by the audience. The most important thing to pay attention to is its tendency to make small plays appear in the later stage of its development. Singing words have changed from the third person to the first person. There have been simple costumes, stylized and fictitious performances of the body, as well as direct insertion of the opera voice. From these aspects we can see Shouyang's tendency to sit and sing more and more. Shouyang sit-sing plays rich content, broad themes, rich ideological connotation. Therefore, it has become a popular performing art form in Shouyang County. At present, Shouyang is facing a very difficult situation, and its living condition is at stake: the actor's inheritance is in danger of becoming old; there is no successor to the script writing; the aging of the formal content affects its development; and the age structure of the audience is aging and decreasing day by day. In order to protect this endangered local drama, Shouyang should constantly bring forth the old and inject new elements, and also obtain the support and help of government departments to set up special protection agencies. Based on the field investigation of opera, combining the theory of internal discipline and communication and the theory of the protection of intangible cultural heritage, this paper, from the angle of anthropology, folklore and religious education, sings to Shouyang this local play, which is on the verge of extinction. Do a maximum of attention and comprehensive research. This paper summarizes the artistic and cultural value of Shouyang's sit-singing, puts forward feasible protection measures, and looks forward to its development prospect. This paper holds that the development of Shouyang sit-singing is faced with the same problems as other operas, and we urgently need to create a good living environment for it, and make it into the track of benign development.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J826
本文编号：2377924
[Abstract]:Shouyang sit-sing, mainly produced in Shouyang County, is a folk artist in the streets of Daogu, rap, widely spread in Jinzhong region. Shouyang was born in the early days of the founding of New China. On the basis of the local folk song minor, the qu artists of Shouyang County Cultural Center absorbed the lianhualuo rap tune and created it under the influence of Jinnan Taoism and Wuxiang Qin books. In the 1950s and 1960s, the development was very rapid, but it was hindered during the Cultural Revolution. It was not until after the third Plenary session of the Eleventh Central Committee of the Party that it became formal again. In the 1980s, Shouyang sat down and sang at the peak of its development. However, in the 1990s, it has gradually declined, and now it is on the verge of extinction. It is a great task for us to protect it timely and effectively. The characteristics of Shouyang's sitting and singing are as follows: the language is easy to understand and has a local flavor, the music system is unique, both original and flower-like; The performance form is also unique, Wenchang Wuchang sitting on the stage, one person acting multi-angle, the actor playing from singing, the performing place is also very casual; the form of performance is more direct than the opera, more easy to communicate and interact with the audience than the opera. The use of saying, singing, acting, amusement, learning the art techniques, deeply loved by the audience. The most important thing to pay attention to is its tendency to make small plays appear in the later stage of its development. Singing words have changed from the third person to the first person. There have been simple costumes, stylized and fictitious performances of the body, as well as direct insertion of the opera voice. From these aspects we can see Shouyang's tendency to sit and sing more and more. Shouyang sit-sing plays rich content, broad themes, rich ideological connotation. Therefore, it has become a popular performing art form in Shouyang County. At present, Shouyang is facing a very difficult situation, and its living condition is at stake: the actor's inheritance is in danger of becoming old; there is no successor to the script writing; the aging of the formal content affects its development; and the age structure of the audience is aging and decreasing day by day. In order to protect this endangered local drama, Shouyang should constantly bring forth the old and inject new elements, and also obtain the support and help of government departments to set up special protection agencies. Based on the field investigation of opera, combining the theory of internal discipline and communication and the theory of the protection of intangible cultural heritage, this paper, from the angle of anthropology, folklore and religious education, sings to Shouyang this local play, which is on the verge of extinction. Do a maximum of attention and comprehensive research. This paper summarizes the artistic and cultural value of Shouyang's sit-singing, puts forward feasible protection measures, and looks forward to its development prospect. This paper holds that the development of Shouyang sit-singing is faced with the same problems as other operas, and we urgently need to create a good living environment for it, and make it into the track of benign development.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J826
【参考文献】
相关期刊论文 前3条
1 沈彭年;说唱艺术探源[J];文艺研究;1987年05期
2 朱恒夫;民间小戏产生的途径与形态特征[J];文艺研究;1991年01期
3 何为;戏曲剧种与戏曲现代化[J];文艺研究;1991年06期
，本文编号：2377924
本文链接：https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2377924.html
