孟京辉先锋戏剧研究
发布时间：2018-12-17 14:37
【摘要】：二十世纪八十年代末,孟京辉凭着一腔激情和对戏剧创作强烈的热爱之情扛起“先锋戏剧”的大旗,以反传统的姿态走上了戏剧创作的道路,在摸索中,他逐渐形成了特有的个人风格,并且颇具关注度和认知度,甚至诸如《恋爱的犀牛》等作品票房突破百万,形成一定的商业影响力。 孟京辉至今已经走过了二十多年的戏剧创作之路,通过梳理相关作品,发现从最初的沉淀积累阶段到戏剧作品形成影响力,并凭一己之力建立蜂巢剧场形成一定的规模,孟京辉的戏剧创作共经历了七个发展阶段。他抱着对传统戏剧理念反叛的态度,吸收融合了西方众多先锋戏剧践行者和理论家的理念,形成了独具“孟氏”特征的戏剧叙事风格。戏剧的叙事是通过“文本叙述”、“导演文本”和“舞台叙述”共同完成的,这三个方面相辅相成,缺一不可,孟京辉很好的将自己的叙事风格融入到其中。 他的先锋戏剧深受后现代文化的影响,对公众的喝彩表现出强烈的兴趣,追求幽默化、游戏化、狂欢式的观剧效果,在其后期创作的作品中逐渐的显现出浮躁的商业化特征,过于追求戏剧形式,而忽视了作品的社会艺术性。好的先锋戏剧首先需要具备一定的社会艺术性,这是其核心价值和灵魂所在,不能只是追求瞬间的愉悦,而经不起细细揣摩和回味。此外,先锋戏剧与商业性并非水火不相容,良好的商业性有助于将先锋戏剧经典化,实现其存在的意义,因此先锋戏剧应该在具备一定的社会艺术价值的基础上,追求良好的商业性效果,获得观众的认可,而非仅仅孤芳自赏。“先锋”只有经历从前卫走向经典的过程,才具有存在的价值和意义。
[Abstract]:At the end of the eighties of the 20th century, Meng Jinghui took up the banner of "pioneer drama" with his passion for drama creation and his strong love for drama creation. He took the path of drama creation in an anti-traditional manner and was groping for it. He gradually developed a unique personal style, and a lot of attention and recognition, and even works such as "Love Rhinoceros" exceeded a million box office, forming a certain degree of commercial influence. Meng Jinghui has gone through the road of more than 20 years of drama creation. By combing relevant works, he found that from the initial stage of accumulation of precipitation to the formation of influence of the dramatic works, he established the honeycomb theater on its own to form a certain scale. Meng Jinghui's drama creation has gone through seven stages of development. He revolted against the traditional drama concept, absorbed the ideas of many pioneer drama practitioners and theorists in the West, and formed a unique drama narrative style with the characteristics of "Mencius". The narration of drama is accomplished through "text narration", "director text" and "stage narration". His avant-garde drama, deeply influenced by postmodern culture, showed a strong interest in the applause of the public, pursued the humorous, gameplay and carnival style of watching drama, and gradually showed the characteristics of impetuous commercialization in his later works. Too much pursuit of the form of drama, and ignore the social artistry of the work. A good avant-garde drama needs to have a certain social artistry, which is its core value and soul, and can not only seek instant pleasure, but can not withstand careful speculation and aftertaste. In addition, avant-garde drama and business are not incompatible with each other. Good commercial play is helpful to classical avant-garde drama and realize its existence significance. Therefore, vanguard drama should be based on a certain social and artistic value. The pursuit of good commercial effects, the audience's approval, rather than just self-admiration. Vanguard has the value and significance of existence only when it goes from avantgarde to classic.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J82
本文编号：2384334
[Abstract]:At the end of the eighties of the 20th century, Meng Jinghui took up the banner of "pioneer drama" with his passion for drama creation and his strong love for drama creation. He took the path of drama creation in an anti-traditional manner and was groping for it. He gradually developed a unique personal style, and a lot of attention and recognition, and even works such as "Love Rhinoceros" exceeded a million box office, forming a certain degree of commercial influence. Meng Jinghui has gone through the road of more than 20 years of drama creation. By combing relevant works, he found that from the initial stage of accumulation of precipitation to the formation of influence of the dramatic works, he established the honeycomb theater on its own to form a certain scale. Meng Jinghui's drama creation has gone through seven stages of development. He revolted against the traditional drama concept, absorbed the ideas of many pioneer drama practitioners and theorists in the West, and formed a unique drama narrative style with the characteristics of "Mencius". The narration of drama is accomplished through "text narration", "director text" and "stage narration". His avant-garde drama, deeply influenced by postmodern culture, showed a strong interest in the applause of the public, pursued the humorous, gameplay and carnival style of watching drama, and gradually showed the characteristics of impetuous commercialization in his later works. Too much pursuit of the form of drama, and ignore the social artistry of the work. A good avant-garde drama needs to have a certain social artistry, which is its core value and soul, and can not only seek instant pleasure, but can not withstand careful speculation and aftertaste. In addition, avant-garde drama and business are not incompatible with each other. Good commercial play is helpful to classical avant-garde drama and realize its existence significance. Therefore, vanguard drama should be based on a certain social and artistic value. The pursuit of good commercial effects, the audience's approval, rather than just self-admiration. Vanguard has the value and significance of existence only when it goes from avantgarde to classic.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J82
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