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试论歌剧《党的女儿》艺术特色及主要唱段分析

发布时间:2018-12-20 17:42
【摘要】:本文简单描述了中国歌剧的形成和发展、《党的女儿》这部歌剧的简介和故事梗概。着手从民族歌剧《党的女儿》剧本和剧情的艺术特点,音乐创作手法上的艺术特点,音乐语言以及歌剧美学思想上的艺术特点来揭示这部歌剧所具有的艺术魅力,并选取民族歌剧《党的女儿》其中的著名唱段为研究对象,结合自己的实践经验,对此唱段的演唱风格和情感把握进行探析研究。中国歌剧产生于20世纪初,比外国歌剧晚了大约四百年,但是中国歌剧自产生以来,发展很快,在中国本土音乐的基础上融入了戏曲和地方音乐成分,,还借鉴了西洋歌剧的音乐形式和演唱方法,逐步形成了自己的风格,在声音和表演上都有了进一步的要求。它是继中国歌剧基石之作《白毛女》后又一部强有力的歌剧作品,是新中国成立来中国民族歌剧的经典之作。本文分为四个章节:第一章,中国歌剧的形成和发展历程。本章主要对中国歌剧的形成、发展历程进行分析,陈述了中国歌剧从形成到慢慢成熟、完善的过程。第二章,歌剧《党的女儿》的创作概述。本章简单介绍了歌剧《党的女儿》的创作背景,并对歌剧的故事情节进行了系统的概述。第三章,歌剧《党的女儿》的艺术特色。本章着重从歌剧本身所具有的艺术特点、歌剧剧情的戏剧性色彩、歌剧音乐创作上的艺术特色、歌剧包含的美学思想等方面阐述了这部歌剧所具有的艺术特色。第四章,唱段《万里春色满家园》的演唱分析和情感把握。本章选取此歌剧中最具代表性的唱段《万里春色满家园》进行分析,从此唱段中人物的主题音调、人物的情感变化、田玉梅英雄人物给我们的启示进行了细致的阐述,通过歌剧中代表性唱段的分析来细致反映歌剧《党的女儿》所具有的艺术魅力。 通过对歌剧的艺术特色和本歌剧代表性唱段的细致分析揭示中国民族经典歌剧《党的女儿》的艺术特色。通过《党的女儿》这部歌剧我们清楚地看到,在中国革命历史舞台上千千万万的英雄儿女给我们留下的不仅是一首首不朽的”红色”赞歌,还有那一直鼓舞着每个中国人奋勇前进的光辉精神。
[Abstract]:This paper briefly describes the formation and development of Chinese opera, the brief introduction and story outline of the opera "daughter of the Party". Starting from the artistic characteristics of the screenplay and plot of the National Opera "daughter of the Party", the artistic characteristics of the musical creation technique, the artistic characteristics of the musical language and the aesthetic thought of the opera, to reveal the artistic charm of this opera. And select the famous choreography in the National Opera "daughter of the Party" as the research object, combine own practice experience, carry on the analysis and research to the singing style and the emotion grasp of this choreography. Chinese opera came into being at the beginning of the 20th century, about 400 years later than foreign operas. However, Chinese opera has developed rapidly since its emergence, and has incorporated opera and local music elements on the basis of Chinese native music. It also draws lessons from the music form and singing method of western opera, and gradually forms its own style, and has further requirements in sound and performance. It is a powerful opera work after the cornerstone of Chinese opera "White-haired Girl", and it is a classic work of Chinese national opera founded in New China. This paper is divided into four chapters: the first chapter, the formation and development of Chinese opera. This chapter mainly analyzes the formation and development of Chinese opera, and describes the process of Chinese opera from its formation to maturity and perfection. The second chapter, the opera "the party's daughter" creation summary. This chapter briefly introduces the background of the opera "daughter of the Party", and systematically summarizes the story of the opera. The third chapter, the artistic characteristic of opera "the daughter of the Party". This chapter focuses on the artistic characteristics of the opera itself, the dramatic color of the opera plot, the artistic characteristics of the opera music creation, the aesthetic thought included in the opera, and so on. The fourth chapter, singing analysis and emotional grasp of singing Duan-Wan Li Chun Man Home. This chapter selects the most representative of the opera, "the Spring Clouds Home" to analyze, from then on the characters in the choir theme tone, characters emotional changes, Tian Yumei heroes to us a detailed description of the inspiration, Through the analysis of the representative choir in the opera, the artistic charm of the opera "daughter of the Party" is reflected in detail. Through the careful analysis of the artistic characteristics of the opera and the representative choir of this opera, this paper reveals the artistic characteristics of the Chinese national classic opera "the daughter of the Party". Through the opera "the daughter of the Party", we can clearly see that thousands of heroic children and children in the Chinese revolutionary history have left us more than an immortal "red" hymn. And the glorious spirit that has inspired every Chinese to march forward bravely.
【学位授予单位】:曲阜师范大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J822

【参考文献】

相关期刊论文 前2条

1 朱晓娟;;谈中国歌剧的演唱艺术——从演唱《党的女儿》选段《万里春色满家园》谈起[J];内蒙古农业大学学报(社会科学版);2006年02期

2 詹桥玲;20世纪中国歌剧发展谈概[J];音乐研究;2005年01期



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