濮存昕的角色创作艺术研究
发布时间：2018-12-24 08:01
【摘要】： 濮存昕1953年出生于北京。从小受父亲,著名演员、导演苏民的影响,对表演产生浓厚的兴趣。1969年作为知识青年赴黑龙江参加生产建设兵团。1977年“文革”结束回到北京,考入空政话剧团。1987年正式调入北京人民艺术剧院至今。 几十年来濮存昕参演了数十部话剧,塑造了《雷雨》、《李白》、《建筑大师》、《白鹿原》、《大将军寇流兰》等形色各异的人物形象。曾分别两度获得文华奖和梅花奖。他还在《最后的贵族》、《清凉寺的钟声》、《鲁迅》、《英雄无悔》等多部影视剧中担任主角,并凭借《一轮明月》、《光荣之旅》中的角色获得电影华表奖以及电视金鹰奖。 本论文的创新之处在于:以研究角色创作艺术为目的。研究演员濮存昕在戏剧舞台上创作的几个角色,与导演林兆华共同实现新的戏剧演员角色创作方法。生活、自由、放松主要是开拓演员在舞台上与观众的交流构建新角色诞生。戏剧表演与影视表演中的异同,探讨濮存昕影视表演的变化与转折。 本论文分三章来研究演员在创作角色时的理论成果与实践创作。 第一,生活中博爱的濮存昕。本章从考察濮存昕的艺术背景与艺术之路出发,阐述了演员角色创作研究涉及的范围,并以解读濮存昕的人生观,价值观为基础,结合演员心路历程研究,对濮存昕角色创作方法和特色进行梳理。 第二、舞台上自由的濮存昕。本章论述了舞台艺术角色创作,濮存昕表演观的生成环境与具体演艺实践,通过对他个人的演艺经历、代表作品分析,了解濮存昕与林兆华导演自由的结合,濮存昕接受林兆华戏剧观念和改变创作角色的过程。并对其几个代表性剧目进行文本分析,发现濮存昕表演观中的外来因素、以及他对演员角色创作的自由发挥。 第三、银幕里幸运的濮存昕。作为一名演员拍摄影视剧是机遇也是缘分,拍摄电影濮存昕实现了演员镜头前表演的创作梦,探讨戏剧表演与影视剧表演之间的差异,作为演员濮存昕在影视表演中他不断追求新的角色创作表演方式,探求更多层面的演员表演创作方法,。本章以作品分析为途径,结合表演者在角色创作中的改变与发展,总结濮存昕创作经验,达到对演员角色创作艺术研究的思考和综合评述。
[Abstract]:Pu Cunxin was born in Beijing in 1953. Influenced by his father, famous actor and director Su Min, he was very interested in the performance. In 1969, he went to Heilongjiang as an educated youth to participate in the production and Construction Corps. In 1977, he returned to Beijing after the "Cultural Revolution". Admitted to the air politics drama troupe. Officially transferred to the Beijing people's Art Theater in 1987. Over the past few decades, Pu Cunxin has participated in dozens of plays and created characters of various shapes and colors, such as thunderstorm, Li Bai, Master of Architecture, White Deer, General Kou Lulan. Has won two literary awards and plum blossom award. He also played the leading role in many movie and TV plays, such as the Last aristocrat, the Bell of Qingliang Temple, Lu Xun, Heroes without regrets, and so on. The characters in the Journey of Glory won the Film Medal and the TV Golden Hawk Award. The innovation of this thesis is to study the art of character creation. This paper studies several characters created by actor Pu Cunxin on the stage of drama, and realizes a new method of creating the roles of actors together with director Lin Zhaohua. Life, freedom and relaxation are the creation of new roles for actors to communicate with the audience on stage. This paper discusses the change and turning point of Pu Cunxin's film and television performance. This thesis is divided into three chapters to study the theoretical achievements and practical creation of actors in their creative roles. First, Pu Cunxin, who is full of love in life. In this chapter, from the perspective of Pu Cunxin's artistic background and artistic road, the author expounds the scope of the research on actor's role creation, and studies the actor's mental process on the basis of interpreting Pu Cunxin's outlook on life and values. The author sorts out Pu Cunxin's role creation methods and characteristics. Second, Pu Cunxin, who is free on stage. This chapter discusses the role creation of stage art, the forming environment and the concrete performing practice of Pu Cunxin's performance view. Through analyzing his personal acting experience and representing his works, he understands the free combination of Pu Cunxin and Lin Zhaohua director. Pu Cunxin accepted the concept of Lin Zhaohua drama and the process of changing the creative role. Through the text analysis of his several representative plays, the author finds out the external factors in Pu Cunxin's view of performance and his free play of actor's role creation. Third, the lucky Pu Cunxin on screen. As an actor, shooting movies and TV plays is both an opportunity and a fate. Pu Cunxin has realized the creative dream of acting in front of the actor's lens and explored the difference between drama and film and TV drama performances. As actor Pu Cunxin, in film and television performances, he has been pursuing new ways of creating and performing roles, exploring more levels of actors' performance creation methods. Based on the analysis of the works and the changes and development of the performers in the role creation, this chapter summarizes Pu Cunxin's creative experience and makes a comprehensive comment on the study of the actors' role creation art.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J805
[Abstract]:Pu Cunxin was born in Beijing in 1953. Influenced by his father, famous actor and director Su Min, he was very interested in the performance. In 1969, he went to Heilongjiang as an educated youth to participate in the production and Construction Corps. In 1977, he returned to Beijing after the "Cultural Revolution". Admitted to the air politics drama troupe. Officially transferred to the Beijing people's Art Theater in 1987. Over the past few decades, Pu Cunxin has participated in dozens of plays and created characters of various shapes and colors, such as thunderstorm, Li Bai, Master of Architecture, White Deer, General Kou Lulan. Has won two literary awards and plum blossom award. He also played the leading role in many movie and TV plays, such as the Last aristocrat, the Bell of Qingliang Temple, Lu Xun, Heroes without regrets, and so on. The characters in the Journey of Glory won the Film Medal and the TV Golden Hawk Award. The innovation of this thesis is to study the art of character creation. This paper studies several characters created by actor Pu Cunxin on the stage of drama, and realizes a new method of creating the roles of actors together with director Lin Zhaohua. Life, freedom and relaxation are the creation of new roles for actors to communicate with the audience on stage. This paper discusses the change and turning point of Pu Cunxin's film and television performance. This thesis is divided into three chapters to study the theoretical achievements and practical creation of actors in their creative roles. First, Pu Cunxin, who is full of love in life. In this chapter, from the perspective of Pu Cunxin's artistic background and artistic road, the author expounds the scope of the research on actor's role creation, and studies the actor's mental process on the basis of interpreting Pu Cunxin's outlook on life and values. The author sorts out Pu Cunxin's role creation methods and characteristics. Second, Pu Cunxin, who is free on stage. This chapter discusses the role creation of stage art, the forming environment and the concrete performing practice of Pu Cunxin's performance view. Through analyzing his personal acting experience and representing his works, he understands the free combination of Pu Cunxin and Lin Zhaohua director. Pu Cunxin accepted the concept of Lin Zhaohua drama and the process of changing the creative role. Through the text analysis of his several representative plays, the author finds out the external factors in Pu Cunxin's view of performance and his free play of actor's role creation. Third, the lucky Pu Cunxin on screen. As an actor, shooting movies and TV plays is both an opportunity and a fate. Pu Cunxin has realized the creative dream of acting in front of the actor's lens and explored the difference between drama and film and TV drama performances. As actor Pu Cunxin, in film and television performances, he has been pursuing new ways of creating and performing roles, exploring more levels of actors' performance creation methods. Based on the analysis of the works and the changes and development of the performers in the role creation, this chapter summarizes Pu Cunxin's creative experience and makes a comprehensive comment on the study of the actors' role creation art.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J805
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