基于音乐美学的采茶戏与木偶戏风格研究

发布时间：2018-12-27 18:42

【摘要】："采茶戏"、"木偶戏"是我国传统茶文化在习俗层面的表现,具有一定的审美价值。"西方音乐美学"是根植于西方文化背景、宗教哲学、审美追求、审美心理等过程中的一种特有的对音乐艺术的价值认知和价值判断体系。西方的马克思主义音乐美学对于我们当前的音乐分析、风格分析具有重要的方法论意义。西方马克思主义音乐美学的主要内涵包括本体论、价值论和方法论三个角度:在本体论上,它寻求音乐审美主体与审美客体的辩证和解;在价值论上,它寻求音乐审美的人本主义价值路径;在方法论上,它寻求对传统音乐美学的批判性改造。西方马克思主义音乐美学视角中的采茶戏和木偶戏风格也可以从这样三个方面进行阐释:本体论层面上追求艺术活动与审美主体的"天人合一"、价值论层面上追求人的价值理性与工具理性的有机合一、方法论层面上注重在吸收传统优秀文化基因的基础上推陈出现。
[Abstract]:"Tea picking drama" and "puppet show" are the expression of Chinese traditional tea culture on the level of custom, and have certain aesthetic value. " Western music aesthetics "is a special value cognition and value judgment system rooted in the western cultural background, religious philosophy, aesthetic pursuit, aesthetic psychology and so on." Western Marxist music aesthetics has important methodological significance for our current music analysis and style analysis. The main connotations of western Marxist music aesthetics include ontology, value theory and methodology: in ontology, it seeks the dialectical reconciliation between music aesthetic subject and aesthetic object; In the theory of value, it seeks the humanistic value path of music aesthetics, and in methodology, it seeks the critical transformation of traditional music aesthetics. The styles of tea picking and puppetry from the perspective of western Marxist musical aesthetics can also be explained from three aspects: the pursuit of "harmony of nature and man" between artistic activities and aesthetic subjects at the ontological level. In the aspect of value theory, the organic integration of human value rationality and instrumental rationality is pursued, and the methodological level emphasizes the emergence on the basis of absorbing traditional excellent cultural genes.
【作者单位】：许昌学院音乐舞蹈学院;
【分类号】：J805

【相似文献】