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内部的困境——也谈样板戏

发布时间:2019-01-17 18:20
【摘要】:正近十几二十年来,尤其是近十年来,样板戏的研究成果很多,有许多论文发表,不少大学学位论文以它为研究对象,出版若干部研究专书,在评价上也仍然有激烈争论。其实,正是不断的争论,才引发持续的研究热潮。当然,由于时间、心理上的间隔,研究上"学术"的分量也有很大增强,不再只集中在政治意识形态对立的争议上。有多种角度的呈现:如文化史、文学史方面的,接受美学上的,戏曲艺术、音乐角度的,语言上的,性别上的,等
[Abstract]:In the past ten to twenty years, especially in the past ten years, there have been a lot of research achievements in model opera, many papers have been published, and many university dissertations have taken it as the object of study. If the cadre research books are published, there are still fierce arguments in the evaluation. In fact, it is the constant debate, which leads to a continuous research boom. Of course, due to the time, the psychological interval, the research "academic" weight has also greatly increased, no longer focused only on the political ideological controversy. There are many angles of presentation: cultural history, literary history, reception aesthetics, opera art, music, language, gender, etc.
【作者单位】: 北京大学中文系;
【分类号】:J805

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