新中国戏曲邮票研究

发布时间：2019-01-23 14:54

【摘要】：邮票作为邮资付费的手段,它的存在是伴随着近代中国邮政而产生的。从大龙邮票发行至今,经历了130多年的历史。本文以新中国30套戏曲邮票为研究对象,在概述中国邮票发展史的基础上,按照邮票所反映的戏曲内容,划分了5个部分：京剧邮票、文革期间的文艺类邮票、昆曲邮票、戏剧作家与戏曲作品邮票以及各种其他表现戏曲的邮票。京剧邮票,按照生旦净丑邮票的发行顺序,从邮票的图案反映的内容,结合所体现的剧目、服饰、化妆,在京剧影像资料的观看下,分析艺术家在舞台上的表演技艺,评价邮票发行的意义。文革期间发行了八大样板戏、《兄妹开荒》、《白毛女》、《红色娘子军》的邮票,该章从邮票体现的内容,总结了文革时期戏曲艺术的特点,间接的反映了现代戏与传统戏曲的区别；同时也客观的评价了样板戏,否定了它的政治功能,肯定它对现代戏发展起的积极作用。昆曲邮票以《浣纱记》、《牡丹亭》以及《长生殿》为代表,从邮票上反映的舞台形象,探究昆曲代表作的思想价值,直观形象的体现了昆曲的地位以及剧作家创作的园林“情结”。邮票上关注的剧作家是关汉卿和郭沫若,从邮票反映的内容,结合二人的创作风格,进而探究邮票的文学价值；经典戏剧作品《西厢记》和《牡丹亭》的出现,图文并茂生动形象的还原完整故事情节,从而体现打破封建传统,追求自由爱情的主题思想。皮影人物、戏曲电影、戏曲年画、戏曲人物剪纸、艺术节等方面反映戏曲,不仅介绍了邮票的内容,同时也反映了艺术互通性和文化传播多样性的特点。以上内容从不同层次、不同角度分析和评价了邮票发行的意义、艺术价值、主题思想以及文化内涵。学术界对戏曲关注的程度很高,但是将邮票与戏曲结合的探究是极少的,只是零星的出现在“集邮”的相关杂志上,本文弥补了戏曲单一研究和邮票单一研究的不足,为研究戏曲文化提供新的角度和新的研究思路。同时,探究戏曲邮票,体现了传承文化的意义。以邮票为载体,宣传了戏曲艺术的魅力,是迎合与时俱进的时代要求,有利于弘扬传统文化,对戏曲的普及和教育起有益作用,也为研究和保护传统戏曲文化提供便利。对于集邮爱好者而言,提供了丰富的戏曲邮识,提高了的审美趣味。但是不能过分的夸大邮票的功能,戏曲邮票只是众多邮票中的一种,以它为角度探讨戏曲艺术是微弱的,无法真正还原戏曲艺术的博大精深。
[Abstract]:Postage stamps as a means of payment, its existence is accompanied by modern China Post. Since the issue of Dalong stamps, it has experienced more than 130 years of history. This paper takes 30 sets of Chinese opera stamps as the research object, on the basis of summarizing the history of the development of Chinese stamps and according to the opera content reflected by the stamps, this paper divides five parts: Beijing Opera stamps, literature and art stamps during the Cultural Revolution, Kunqu Opera stamps, etc. Stamps for Drama Writers and Drama works, as well as various other stamps for opera. Beijing Opera stamps, according to the issuing order of the clean and ugly stamps, from the content reflected by the stamp patterns, combined with the repertoire, costumes, makeup, and the viewing of the image materials of Beijing Opera, to analyze the performing skills of the artists on the stage. To evaluate the significance of stamp issue. During the Cultural Revolution, eight model operas were issued, "Brothers and sisters opened up wasteland", "White hair Girl" and "Red Lady Army", which summarized the characteristics of opera art during the Cultural Revolution from the content embodied in the stamps. Indirectly reflects the difference between modern drama and traditional opera; At the same time, it objectively evaluates the model opera, negates its political function, and affirms its positive role in the development of modern drama. The Kunqu stamps are represented by Wun Sha Ji, Peony Pavilion and Changsheng Hall. The stage image of Kunqu Opera is reflected on the stamps, and the ideological value of Kunqu Opera representative works is explored. Intuitionistic image reflects the status of Kunqu Opera and the garden complex created by playwrights. The dramatists concerned on the stamps are Guan Hanqing and Guo Moruo. From the content of the stamps and the style of their creation, the literary value of the stamps is explored. The appearance of the classic drama works "the West Chamber" and "the Peony Pavilion" restores the complete story plot vividly and vividly, thus reflecting the theme thought of breaking the feudal tradition and pursuing the free love. Shadow figures, opera films, Chinese New year paintings, paper-cut opera characters, art festival and other aspects reflect the opera, not only introduced the content of stamps, but also reflected the characteristics of art interoperability and cultural diversity. The above contents analyze and evaluate the significance, artistic value, theme and cultural connotation of stamp issuing from different levels and different angles. The academic circles pay high attention to the drama, but the research of combining stamps with opera is rare, and it appears in the relevant magazine of "stamp collecting" sporadically. This paper makes up for the deficiency of the single research of opera and the single study of stamps. For the study of opera culture to provide a new perspective and new research ideas. At the same time, explore the drama stamps, reflect the significance of cultural heritage. With stamps as the carrier, the charm of opera art is propagandized, which caters to the requirement of keeping pace with the times, helps to carry forward the traditional culture, plays a beneficial role in popularizing and educating the opera, and also provides convenience for the research and protection of the traditional opera culture. For philatelic enthusiasts, it provides a rich knowledge of opera stamps, and improves the aesthetic taste. But can not exaggerate the function of stamps, drama stamps are just one of the many stamps, it is weak to explore the art of opera from its perspective, can not really restore the broad and profound opera art.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：G891.3;J809.2

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