仪式观视角下高椅村傩戏“杠菩萨”的传播研究

发布时间：2019-05-10 14:47

【摘要】：凯瑞1975年在《传播的文化研究取向》中提出“传播的仪式观”,主张在文化的视野下探讨传播的研究。在凯瑞看来,传播可以理解为“一种以团体或者共同身份将人们吸引到一起的神圣仪式。”本文从仪式观的视角,以高椅村的傩戏“杠菩萨”为研究对象,解析其传播过程。文中笔者采用观察法以及访问法,记录在高椅村傩戏表演中所营造出的种文化氛围,同时对傩戏的传播仪式进行解构,分析傩戏的传播仪式中,表演者和参与者各自的行为表现,在此之中,仪式的规则、仪式媒介以及仪式的传播手段,无一不蕴含着古老傩文化的印记,保有高椅村落历史的记忆,由此了解到傩戏的传播仪式对于当地村民的意义。进而得出结论,高椅村的傩戏传播并不仅仅是传递或者获取信息的过程,而是村民们参与的文化共享的仪式。在文化共享的仪式中,高椅村村民在共同信仰以及共同文化记忆的作用下结成共同体,从中实现了文化认同和身份认同,这一过程对于维系村落,增进村民凝聚力方面起到了重要作用。但是,当前高椅村的傩戏传播也遇到了一定的困境,其传播环境也在悄然发生着变化,笔者通过分析其产生困境的原因,探索其现今市场发展的可能,以及在“共生林”的开发下,“一荣俱荣”地走出传播困境。
[Abstract]:In 1975, Carey put forward the "ritual view of communication" in the orientation of Cultural Research of Communication, and advocated to explore the study of communication from the perspective of culture. In Carey's view, communication can be understood as "a sacred ceremony that attracts people together in a group or in a common capacity." From the perspective of ritual view, this paper analyzes the spreading process of Nuo opera "Ba Bodhisattva" in Gaozhu Village. In this paper, the author uses the observation method and the interview method to record the kind of cultural atmosphere created in the Nuo opera performance in the high chair village, at the same time, it decomstructs the spreading ceremony of the Nuo opera, and analyzes the spreading ceremony of the Nuo opera. Among them, the rules of the ceremony, the media of the ceremony and the means of dissemination of the ceremony contain the imprint of the ancient Nuo culture and retain the memory of the history of the high chair village. Thus understand the significance of the Nuo opera spread ceremony to the local villagers. Furthermore, it is concluded that the spread of Nuo opera in Gaochair Village is not only the process of transmitting or obtaining information, but also the ceremony of cultural sharing in which the villagers participate. In the ceremony of cultural sharing, the villagers of Gaochair Village formed a community under the action of common belief and common cultural memory, from which the cultural identity and identity were realized. This process is for the maintenance of the village. It has played an important role in promoting the cohesion of the villagers. However, at present, the Nuo opera communication in Gaochair Village has also encountered some difficulties, and its communication environment is also quietly changing. The author analyzes the causes of the predicament and explores the possibility of its current market development. And under the development of "symbiotic forest", "one honor and honor" out of the communication dilemma.
【学位授予单位】：广西大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J825;G206

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