相声人物塑造的研究

发布时间：2019-06-05 00:22

【摘要】： 从当前相声的创作和表演上来看,相声人物并不是相声研究中关注的问题,对于一些相声演员来说相声人物塑造也不是相声创作和表演需要重视的问题。但是从大量的相声作品中可以看到,相声中有人物,相声的创作与表演实际上都离不开人物塑造。相声人物形象的喜剧性效果,与相声人物塑造有密切的联系,对于相声独特喜剧性的展现发挥着至关重要的作用。一般而言,相声对于人物的塑造,不仅以相声技艺为表现方式,而且力求在具有喜剧性的情节和情境中塑造人物形象。作为给人以笑的娱乐艺术,相声的“包袱”是塑造人物的重要方式。人物存在于喜剧性的情境设置与矛盾反差中,人物的行动推动情节的发展,制造出产生“包袱”的条件。“包袱”又可以突出人物的个性,展现出人物的喜剧性效果。作为语言的艺术,相声语言有相有声,是塑造人物的重点所在。人物赋予语言以形象,语言展示人物的鲜明个性。人物形象完全凭着表演者的口说进行塑造。表演者的叙述语言,相声人物的语言,都具有形象生动的鲜明特征。作为表演的艺术,相声演员的传神表演是塑造人物的核心。表演者对于相声人物内在精神的把握和形与神兼备的表演,直接影响着相声人物的喜剧性特性和喜剧性效果。应该说相声人物形象塑造问题,对于相声的创作与表演以及相声的研究都具有重要的理论意义和现实意义。本文主要从相声人物的特点、相声人物塑造的特点、相声塑造人物的方法这三个方面来认识相声人物塑造的问题,以求揭示出相声塑造人物的艺术个性。
[Abstract]:From the current creation and performance of crosstalk, crosstalk characters are not the focus of crosstalk research, and for some crosstalk actors, crosstalk characterization is not a problem that needs to be paid attention to in crosstalk creation and performance. However, from a large number of crosstalk works, we can see that there are characters in crosstalk, and the creation and performance of crosstalk can not be separated from characterization. The comedy effect of crosstalk characters is closely related to crosstalk characters, and plays an important role in the display of crosstalk unique comedy. Generally speaking, crosstalk is not only represented by crosstalk skills, but also strives to shape characters in comedy plots and situations. As a laughing entertainment art, the burden of crosstalk is an important way to shape characters. Characters exist in the contrast between comedy situation setting and contradiction, and the characters' actions promote the development of plot and create the conditions of "burden". Baggage can highlight the personality of the characters and show the comedy effect of the characters. As the art of language, crosstalk language has crosstalk, which is the focus of shaping characters. The characters give the language an image, and the language shows the distinct personality of the characters. The character image is shaped entirely by the performer's mouth. The narrative language of performers and the language of crosstalk characters all have vivid and vivid characteristics. As the art of performance, the spiritual performance of crosstalk actors is the core of shaping characters. The performers' grasp of the inner spirit of crosstalk characters and the performance of both form and spirit have a direct impact on the comedy characteristics and comedy effects of crosstalk characters. It should be said that the shaping of crosstalk characters is of great theoretical and practical significance for the creation and performance of crosstalk and the study of crosstalk. This paper mainly understands the problems of crosstalk characters from three aspects: the characteristics of crosstalk characters, the characteristics of crosstalk characters and the methods of crosstalk characters, in order to reveal the artistic personality of crosstalk characters.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J826

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