对德江傩堂戏“过关”中傩舞的解析

发布时间：2019-06-05 06:10

【摘要】：傩舞具有悠久的历史,它的前身可以追溯到旧石器时代末期的巫,从八卦舞谱对傩舞步伐的记录中,能找到原始祭祀舞蹈的痕迹。德江傩堂戏“过关”中的傩舞带来的艺术体验,是人类经历长期与自然界的不懈斗争,内心充满无法调和的矛盾,运用原始、抽象的肢体语言,表达着人们对生命与心灵获得自由的渴望。德江傩堂戏“过关”中的傩舞,是傩文化的一部分,对傩舞的解读,需要进入到傩文化的背景之中,去寻找傩舞带来的意义和内涵,在社会文化的语境下,去探寻傩舞背后所呈现的民族价值观念。本文在前人对傩文化的研究成果上进行研究,以德江县傩堂戏“过关”中的傩舞为研究对象。通过人类学田野调查和收集文献资料的方式,对德江县傩堂戏的历史与现状进行梳理,记录仪式过程,分析傩舞动作形态。将傩舞动态特征与舞蹈学、民族学、人类学、宗教学等学科相联系,探讨和解析傩舞深层次的文化内涵。论文分为四章,即：第一章,概述德江傩堂戏的文化历史语境；第二章,对德江傩堂戏“过关”仪式展演的肇因和仪式过程进行分析；第三章,通过对德江傩堂戏“过关”中傩舞的类型与形态的把握,分析傩舞形态特征,以及对傩舞中所用的法器、服饰、音乐等进行分析。第四章,对德江傩堂戏中的傩舞形态进行文化意义阐释。
[Abstract]:Nuo dance has a long history, its predecessor can be traced back to the late Paleolithic witchcraft, from the gossip dance spectrum of Nuo dance pace records, can find the traces of the original sacrifice dance. The artistic experience brought about by Nuo dance in Dejiang Nuo Tang Opera is that human beings have experienced unremitting struggle with nature for a long time, and their hearts are full of irreconcilable contradictions, using primitive and abstract body language. It expresses people's desire for freedom of life and soul. Nuo dance in Dejiang Nuo Tang Opera is a part of Nuo culture. The interpretation of Nuo dance needs to enter the background of Nuo culture, to find out the significance and connotation of Nuo dance, in the context of social culture. To explore the national values behind Nuo dance. In this paper, the previous research results on Nuo culture are studied, and the Nuo dance in Nuo Tang Opera in Dejiang County is taken as the research object. Through anthropological field investigation and literature collection, this paper combs the history and present situation of Nuo Tang Opera in Dejiang County, records the ritual process, and analyzes the form of Nuo Dance. This paper discusses and analyzes the deep cultural connotation of Nuo dance by linking the dynamic characteristics of Nuo dance with dance, ethology, anthropology, religion and other disciplines. The thesis is divided into four chapters, namely: the first chapter summarizes the cultural and historical context of Dejiang Nuo Tang Opera, the second chapter analyzes the causes and process of the "Customs clearance" ceremony exhibition of Dejiang Nuo Tang Opera. The third chapter, through the grasp of the types and forms of Nuo dance in Dejiang Nuo Tang Opera, analyzes the morphological characteristics of Nuo dance, as well as the magic instruments, costumes and music used in Nuo dance. The fourth chapter explains the cultural significance of Nuo dance in Dejiang Nuo Tang Opera.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825

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