朱蔚荣所藏“凤江炉”炉身图像考释

发布时间：2019-06-26 22:16

【摘要】：徐州朱蔚荣先生珍藏的明代手炉,铜质匀净,炉盖严密,历久而不失光泽,更兼刀工技法纯熟,线条舒展,纹饰精美。从款识、用料及雕工来看,当为著名匠人王凤江的作品。王凤江生活于明代中后叶,万历年间已成名,或是嘉靖年间生人。朱藏"凤江炉",炉身两面皆有人物图案,且神态各异,栩栩如生。经细致考察,这两幅图像分别表现的,殆即汪廷讷所撰《狮吼记》第九出《奇妒》、第十六出《顶灯》之相关场景。这一重要发现,对明代戏曲演出形态、剧目之传播与接受等研究均很有帮助,可补目前学者论述之未逮,并启示研究者,于传统的文本文献研究和常见的戏曲专属文物(如古戏台等)研究之外,还应关注业已融入古代日常生活的某些戏曲元素(如剪纸、年画、刺绣、瓷器、铜器、家具、门窗、瓦当等),此或为古代戏曲研究拓展出一条新的路径。
[Abstract]:Xuzhou Zhu Weirong treasured Ming Dynasty hand furnace, copper uniform, furnace cover tight, for a long time without losing luster, but also knife skills are familiar, lines stretch, exquisite ornamentation. From the point of view of money, materials and sculptors, it should be the work of Wang Fengjiang, a famous craftsman. Wang Fengjiang lived in the middle and rear leaves of Ming Dynasty and became famous during Wanli years, or was born in Jiajing years. Zhu Zang "Fengjiang furnace", both sides of the furnace have character patterns, and different appearance, lifelike. After careful investigation, the two images show the related scenes of Lion Roar No. 9 and Top Lamp in No. 16, which are written by Wang Tingner. The results are as follows: (1) the Lion Roar (Lion Roar) and the Lion Roar (Lion Roar) by Wang Tingner (No. 9). This important discovery is very helpful to the study of opera performance form, the dissemination and acceptance of opera repertoire in Ming Dynasty, which can make up for the lack of attention by scholars at present, and enlighten researchers. In addition to the study of traditional text literature and common opera exclusive cultural relics (such as ancient theatrical stage, etc.), attention should also be paid to some opera elements (such as paper-cut, New year's painting, embroidery, porcelain, bronze, furniture, doors and windows) that have been integrated into ancient daily life. Wadang, etc., may expand a new path for the study of ancient opera.
【作者单位】：江苏师范大学文学院;
【基金】：2011年度国家社科基金后期资助项目“中国早期戏曲生成史论”(项目批准号:11FZW004)阶段性成果之一
【分类号】：J809.2

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