论京剧“样板戏”《沙家浜》音乐版本的变异
发布时间：2019-07-06 15:39
【摘要】：本文以京剧“样板戏”《沙家浜》不同版本为研究对象,运用比较研究法对《沙家浜》的四个音乐版本进行分析、对比,探讨其变异的原因。全文共分为四个部分,第一章是绪论,介绍《沙家浜》的形成过程以及四个版本的概况。第二章至第四章是对《沙家浜》四个音乐版本做以具体分析及对比,找出每两个版本的差异以及形成差异的成因。因为京剧“样板戏”是特殊时期的产物。其创作受制于一个具有时代性的创作原则:“三突出”。故《沙家浜》音乐的生成既受传统戏曲创作规律的制约,又受到了“三突出”的影响。“三突出”原则是前期“样板戏”创作实践后的产物。理念成型后,一方面指导着后期“样板戏”的创作,另一方面又影响着前期样板戏的再创作(修改)。《沙家浜》初创于“三突出”理论之前,而后来又按照“三突出”的原则进行了修改。
[Abstract]:In this paper, the different versions of Shajiabang in Beijing Opera are taken as the research object, and the four musical versions of Shajiabang are analyzed, compared and the reasons for their variation are discussed by using the method of comparative study. The full text is divided into four parts. The first chapter is the introduction, which introduces the formation process of Shajiabang and the general situation of the four versions. The second chapter to the fourth chapter is to make a specific analysis and comparison of the four music versions of Shajiabang, and find out the differences between each two versions and the causes of the differences. Because the model opera of Beijing Opera is the product of a special period. His creation is restricted by a creative principle of the times: "three highlights". Therefore, the formation of Shajiabang music is not only restricted by the law of traditional opera creation, but also influenced by "three highlights". The principle of "three protruding" is the product of the creation practice of model play in the early stage. After the idea is formed, on the one hand, it guides the creation of the model play in the later period, on the other hand, it affects the re-creation (modification) of the model play in the early stage. Shajiabang was founded before the theory of "three protruding", and then revised according to the principle of "three protruding".
【学位授予单位】：沈阳音乐学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J617.1
本文编号：2511132
[Abstract]:In this paper, the different versions of Shajiabang in Beijing Opera are taken as the research object, and the four musical versions of Shajiabang are analyzed, compared and the reasons for their variation are discussed by using the method of comparative study. The full text is divided into four parts. The first chapter is the introduction, which introduces the formation process of Shajiabang and the general situation of the four versions. The second chapter to the fourth chapter is to make a specific analysis and comparison of the four music versions of Shajiabang, and find out the differences between each two versions and the causes of the differences. Because the model opera of Beijing Opera is the product of a special period. His creation is restricted by a creative principle of the times: "three highlights". Therefore, the formation of Shajiabang music is not only restricted by the law of traditional opera creation, but also influenced by "three highlights". The principle of "three protruding" is the product of the creation practice of model play in the early stage. After the idea is formed, on the one hand, it guides the creation of the model play in the later period, on the other hand, it affects the re-creation (modification) of the model play in the early stage. Shajiabang was founded before the theory of "three protruding", and then revised according to the principle of "three protruding".
【学位授予单位】：沈阳音乐学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J617.1
【参考文献】
相关期刊论文 前3条
1 王有海;刘飞将军与《沙家浜》[J];党史天地;2002年09期
2 郭满;;《沙家浜》与《芦荡火种》对比浅析[J];剑南文学(经典教苑);2013年02期
3 袁兴华;;试论革命现实主义与现实主义的区别[J];山西大学学报(哲学社会科学版);1981年03期
，本文编号：2511132
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