论现代音乐视唱练耳教学中的音高训练

发布时间：2018-01-16 10:03

本文关键词：论现代音乐视唱练耳教学中的音高训练　出处：《上海师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：现代音乐观念、技法都不断革新的今天,各种风格流派并存,作为音乐基础课程的视唱练耳,理应对这一时期音乐写作手法的不断变化加以研究和分析,从而更好地把握学生对现代音乐的认识,并衍变出有效可行的练习方法让学生更好地学习和掌握现代音乐的视唱技巧。作为现代音乐中占主导地位的音高组织元素,突出音高训练能够让学生尽快抓住现代音乐的特点,更直观地领略到现代音乐的美。本文在现代音乐的背景下,以音高训练为切入点,主要论述现代音乐音高元素在视唱练耳教学中的地位以及教学训练。视唱练耳不是也不能是脱离音乐本身而独立存在的个体,相反,它应该是以音乐本身的材料分析为基础,并以把握整体音乐风格为导向的,这样才能更好的指导音乐创作与表演。本文在阐述理论的同时结合实际作品,通过对现代音乐作品实例中的各类音高结构进行训练,使学生更好地理解和感受现代音乐。
[Abstract]:Modern music concepts and techniques are constantly innovating today, a variety of styles coexist, as the basic course of music solfeggio, we should study and analyze the continuous changes of music writing techniques in this period. In order to better grasp the students' understanding of modern music. And develop effective and feasible practice methods to enable students to learn and master modern music singing skills. As a dominant part of modern music pitch organization elements. Prominent pitch training can enable students to grasp the characteristics of modern music as soon as possible, and more intuitively appreciate the beauty of modern music. In the context of modern music, this paper takes pitch training as the starting point. This paper mainly discusses the status of modern music pitch elements in solfeggio teaching and teaching and training. Solfeggio is not and cannot be an individual independent of the music itself, on the contrary. It should be based on the material analysis of the music itself, and to grasp the overall music style as a guide, so as to better guide music creation and performance. Through the training of various pitch structures in modern musical works, students can better understand and feel modern music.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J613.1-4

【相似文献】