储望华四手联弹改编曲《翻身的日子》音乐特征与演奏分析

发布时间：2018-01-28 18:57

  本文关键词： 四手联弹 中国元素 《翻身的日子》演奏 合作 教学　出处：《内蒙古师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：钢琴早在1709年就已于欧洲出现,但直到十九世纪上半叶才传入中国,距今仅百余年历史。之后我国又经历了外敌入侵、十年内战、文化大革命等种种磨难,使得钢琴事业的发展十分艰难曲折,要想创作出具有民族特色的音乐作品,更是难上加难。为了实现能在钢琴上奏出富有中国传统民族风格的音乐作品,老一辈艺术家怀着崇高的艺术追求和坚定的理想信念,创作出众多脍炙人口、经久不衰的经典曲目。比如有大家耳熟能详地钢琴改编曲《百鸟朝凤》、《浏阳河》、《翻身的日子》和钢琴协奏曲《黄河》等等,这些钢琴作品都将中国元素与西方现代技法融为一体,集多种风格、多种形式、多种体裁于一身,把我国的钢琴创作推向了一个新的高度,取得了较大成就,展现出中国民族音乐的极大魅力以及逐渐向多元化发展的美好愿景。同时,随着中国钢琴改编曲的创作与发展,对于这一课题的研究也呈逐年上升的趋势。四手联弹是钢琴重奏中一项重要组成部分,公元16世纪末17世纪初在欧洲形成以来,被广泛应用于各种形式多样的音乐场合。我国的四手联弹演奏形式起步较晚,但是对于这一“新生事物”的到来抱有了极大的热情和喜爱。目前,国内各大赛事均增设了钢琴四手联弹组别,为发扬四手联弹这种演奏形式做出了巨大贡献。但从参赛者的作品选用来看,以外国作品居多,很少有人选择中国曲目参赛。主要原因在于其作品数量远不及钢琴独奏作品数量多,而且形式单一,堪称经典的曲目更是寥寥无几,更由于可参考的音频、影像资料、相关文献的大量缺乏而导致不受关注的尴尬局面。四手联弹改编曲《翻身的日子》是一部典型的具有民族特色的器乐改编曲,是储望华在时隔45年继钢琴独奏版《翻身的日子》之后,2009年创作的新作品,不仅继承了中国传统民族风格音乐,更融合了近现代西方作曲技法,可谓中西合璧。本文通过对《翻身的日子》这首四手联弹改编曲的音乐特征以及在演奏、合作中可能会出现的种种问题进行研究分析,希望以一己之力为传承我国的传统民族音乐做出积极的推动作用,并呼吁作曲家创作更多、更经典的具有民族风格的作品,也希望能有更多的演奏者关注中国风格的四手联弹作品,共同促进我国传统民族音乐的发展。
[Abstract]:Piano appeared in Europe as early as 1709, but it was not introduced into China until the first half of 19th century, which is only more than 100 years old. After that, our country experienced the invasion of foreign enemies and civil war for ten years. All kinds of tribulations such as the Cultural Revolution made the development of the piano career very difficult and tortuous to create music works with national characteristics. In order to realize the music works which are rich in Chinese traditional national style on the piano, the artists of the older generation have created many popular works with lofty artistic pursuit and firm ideals and beliefs. For example, we are familiar with the piano adaptation of "Birds, Chaofeng", "Liuyang River", "days of turning over" and piano concerto "Yellow River", and so on. All these piano works combine Chinese elements with modern western techniques, and combine various styles, forms and genres in one, pushing our country's piano creation to a new height and making great achievements. It shows the great charm of Chinese folk music and the beautiful vision of gradually developing towards diversification. At the same time, with the creation and development of Chinese piano adaptation. The research on this subject is also on the rise year by year. The four-hand ensemble is an important part of piano recital since it was formed in Europe at the end of 16th century and early 17th century AD. Is widely used in a variety of musical occasions. China's four-hand combination of playing forms started relatively late, but for this "new thing" has a great deal of enthusiasm and love. At present. All the major competitions in China have added the piano four-hand group, which has made a great contribution to the development of the four-hand joint play. But from the selection of the contestants' works, foreign works are the majority. The main reason is that the number of works is far less than the number of piano solo works, and the form of a single, can be called classic music is very few, but also due to the reference audio. The lack of a large number of relevant documents leads to an awkward situation which is not concerned about. The adaptation of the four-hand combined bomb "the Day of turning over" is a typical instrumental music adaptation with national characteristics. It is after 45 years later that Chu Wanghua created new works after piano solo edition, in 2009, which not only inherits the traditional Chinese folk music, but also integrates modern western composing techniques. It can be described as a combination of Chinese and Western. This paper studies and analyzes the musical characteristics of the adaptation of the four-hand combined bomb and the problems that may arise in the cooperation. I hope to make a positive contribution to inheriting the traditional folk music of our country, and appeal to the composer to create more and more classical works with national style. It is also hoped that more performers will pay attention to the four-hand bomb works in Chinese style and promote the development of Chinese traditional folk music.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J624.1
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本文编号：1471279