仪式音声中的互动仪式链--以鄂西土家族“陪十姊妹”仪式音声为例

发布时间：2018-02-04 12:17

本文关键词： 鄂西土家族陪十姊妹情感能量互动仪式链社会学　出处：以鄂西土家族“陪十姊妹”仪式音声为例　论文类型：期刊论文

【摘要】：音声研究的兴起,体现了新时期中国音乐学的多学科融合,多视角并存的研究走向。文章以鄂西土家族"陪十姊妹"仪式音声为研究个案,以田野调查为基础,与文献分析相结合,通过对仪式音声中的"告祖、陪十姊妹席、百家唱"流程的再现,剖析了"陪十姊妹"音声"以歌代哭形式""仪式化时空""群体女性主角"的特征。在此基础上效验社会学互动仪式链理论,提出"陪十姊妹"仪式音声作为传统婚俗仪式符号,"混夜"功能是其表层动力,深层是追求情感能量的最大化;礼是其价值观的外显,本质是对完整互动仪式链的追求。以期通过本文研究回答陪十姊妹仪式研究中的四个核心问题:何以,何为,为何,何去。
[Abstract]:The rise of phonological research reflects the trend of multi-disciplinary integration and multi-perspective coexistence of Chinese musicology in the new era. This paper takes the "accompanying ten sisters" ritual sound of the Tujia nationality in western Hubei as a case study, based on field investigation. Combined with the literature analysis, the process of "suing the ancestor, accompanying the ten sisters and singing by a hundred schools" in the sound of the ceremony was reproduced. This paper analyzes the characteristics of "accompanying the Ten Sisters" in the form of "singing instead of crying", "ritualized space-time" and "Group female protagonists", on the basis of which the theory of sociological interactive ritual chain is tested. It is put forward that the sound of "accompanying the ten sisters" as the traditional wedding ritual symbol, the function of "mixed night" is its surface motive force, and the deep layer is to pursue the maximization of emotional energy. Ritual is the explicit of its values and its essence is the pursuit of the complete interactive ritual chain. The purpose of this paper is to answer the four core questions in the study of the ten sisters' rituals: why, what, why, and how to go.
【作者单位】：河海大学公共管理学院;湖北第二师范学院;
【基金】：湖北省高校人文社会科学重点研究基地“湖北教师教育研究中心”开放基金项目“互联网+背景下教师教育混合式教学实践与反思”研究成果,项目编号:jsjy2016008
【分类号】：J607
【正文快照】： 21世纪初曹本治先生根据中国民族音乐特点,提出的“音声”概念是新时期音乐人类学研究的焦点,强调可听见的声音,亦强调不可听见声音;关注音声行为,亦关注行为背后的思想。[1](P26)自此,仪式音乐中的行为和思想得到学术界广泛关注,宗教仪式音声研究成为热点,道教音声、佛教音声

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