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闵惠芬与二胡“声腔化”艺术

发布时间:2018-02-07 16:20

  本文关键词: 闵惠芬 二胡声腔化 二度创作 出处:《山东师范大学》2017年硕士论文 论文类型:学位论文


【摘要】:二胡,别名胡琴,是中国民族乐器中最具代表性的拉弦乐器。胡琴最早用来为民间戏曲音乐伴奏,直到近代刘天华先生学习借鉴西方的演奏技法和技巧,将把位扩充,创新了揉弦,二胡才从伴奏乐器提升到了主奏乐器的地位。五十多年来,二胡事业不断发展,进入繁盛时期。涌现了一大批优秀的二胡演奏家、作曲家,并创作了很多脍炙人口的经典作品,可谓是一派百花齐放的局面。二胡之所以能够走上声腔化的道路,是因为二胡的音色柔美细腻,富有歌唱性,琴筒有蟒皮蒙制,善于模仿人声,能够细致地表达各种类型的音乐情绪情感。凭借着优秀的音乐基因和浓郁的民族音乐氛围以及后天的不懈努力,闵惠芬走上二胡表演之路。为了将二胡表演推向一个新的高度,闵惠芬选择了一条更为艰难的路子—“二胡声腔化”艺术道路。从狭义上讲,“二胡声腔化”是将中国戏曲唱腔艺术中的特征与创作手法运用到二胡演奏中,进行二度创作。为了实现“二胡声腔化”演奏的艺术追求,闵惠芬虚心向众多的戏曲表演艺术家和民间艺人求教,潜心钻研我国优秀的民族民间音乐、说唱音乐、戏曲音乐等艺术形式,推陈出新,依据许多收集到的民间曲调与音乐素材,成功改编了诸如《宝玉哭灵》、《昭君出塞》、《逍遥津》等优秀的二胡作品。闵惠芬不仅因此成为了一代二胡音乐宗师,还为二胡音乐的继承与发扬作出了杰出的贡献,在我国音乐史上留下了浓墨重彩的一笔。本文运用的研究方法:一、观察研究法:在对音乐的研究中,反复地听即为观察,通过对音乐作品不同版本的“观察”进行研究分析,形成对客观事物最直观的印象和看法。二、经验总结法:通过戏曲声腔理论、中国民族民间音乐、二胡演奏技法等理论对其整理分析,进行深层次的剖析,并根据自己习琴的经验感受,结合音乐表演学理论,探究其对二胡声腔化作品的理解和感受。三、文献分析法与资料查询法:首先,通过调查大量丰富的相关文献来获得资料,从而全面地、正确地了解和诠释研究课题,其次,能将所有文献资料进行比较,并最终整合和升华,形成有力的论据,最后,可以最大限度地从客观事实出发,保证论文的准确性。
[Abstract]:Erhu, also known as Hu Qin, is the most representative string instrument in Chinese national musical instruments. Hu Qin was first used to accompany folk opera music, until modern Mr. Liu Tianhua learned to learn from Western playing techniques and skills, and will expand his position. The erhu changed from an accompaniment instrument to a leading instrument. Over the past 50 years, Erhu's career has been developing and has entered a prosperous period. A large number of excellent erhu players and composers have emerged. He has created a lot of famous classics, which can be said to be a situation in which a hundred flowers bloom. The reason why the erhu is able to embark on the road of voice is that the tone of the erhu is soft and delicate, it is full of singing, and the piano barrel has a python skin cover system. Good at imitating human voice, able to express all kinds of musical emotions in detail. With excellent music genes, strong folk music atmosphere and the day after tomorrow's unremitting efforts, Min Huifen embarked on the road of erhu performance. In order to push the erhu performance to a new height, Min Huifen chose a more difficult way-"erhu voice" art path. In a narrow sense, "erhu vocalization" is the application of the characteristics and creative techniques of Chinese opera singing art to erhu performance. In order to achieve the artistic pursuit of "erhu vocalization", Min Huifen sought advice from many opera performing artists and folk artists with an open mind, and devoted himself to studying China's excellent folk music and rap music. Traditional Chinese opera and other forms of art, such as traditional Chinese opera, bring forth the new from the past. According to many collected folk tunes and musical materials, He has successfully adapted excellent erhu works such as "Baoyu crying Spirit", "Zhaojun out of the Wall", "Xiaoyaojin" and other excellent erhu works. Min Huifen has not only become a master of erhu music of a generation, but has also made outstanding contributions to the inheritance and development of erhu music. The research methods used in this paper are as follows: first, observation: in the study of music, listening repeatedly is observation, and through the study of different versions of music works, "observation" is studied and analyzed. Forming the most intuitionistic impression and view of objective things. Second, experience summing up: through the theory of Chinese folk music, Chinese folk music, erhu playing techniques and other theories to sort out and analyze, carry on the deep level analysis, And according to their own experience and feelings of playing piano, combined with the theory of music performance, to explore its understanding and feelings of erhu vocalization works. Third, literature analysis and data query method: first, through the investigation of a large number of relevant documents to obtain information. In order to comprehensively and correctly understand and interpret the research topic, secondly, it can compare all the documents and materials, and finally integrate and sublimate them to form a strong argument. Finally, we can proceed from the objective facts to the maximum extent. Ensure the accuracy of the paper.
【学位授予单位】:山东师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J632.21

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相关期刊论文 前1条

1 杨易禾;试论演奏个性[J];中央音乐学院学报;1998年04期

相关硕士学位论文 前1条

1 周芳;二胡声腔化演奏在《兰花花叙事曲》和《洪湖人民的心愿》中的运用[D];中国音乐学院;2010年



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