西方音乐姿态理论探究

发布时间：2018-03-02 02:34

本文关键词： 新音乐学音乐姿态动觉语义文化符号　出处：《南京师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：对于音乐意义的追问是音乐作品分析与诠释的价值所在,然而如何凝聚音乐在形式与内容、能指与所指、内涵与外延上的意义合力一直成为理解音乐的核心问题。一方面,历史文本的演绎解读有时显得并不可信,那些包裹在作品之外的“别有用心”常常会混淆视听;另一方面,形式技术分析的严谨封闭又浇灭了音乐炽热的表现力。在这样的一种进退维谷的窘境之下,新音乐学试图打破音乐与人类学、社会学、符号学、历史学、哲学以及文化研究的坚固壁垒,将作品的解读置于视域融合的开放域。因此,传统的西方音乐学逐渐从单一的纯音乐文本性模型向多元的互文性模型连同个性体验过渡,即我们如何更加有效地认知、揉合音乐在多维度、多系统中所传达的意义。在这样的背景之下,本文试借助符号、历史、文化研究等窗口,从糅合听觉、视觉、动觉等感官体验的音乐姿态现象出发,探寻音乐作为一种特殊的有声姿态,如何在与创作者和聆听者的心灵交互中表意,如何在历史风格的发展过程中继承与嬗变。通过探究音乐姿态在像似性、指示性与规约性的多重语义,挖掘其在体裁、风格上的符号内涵,追寻其在乐思发展的连贯逻辑,切入音乐理解与音乐诠释。从而调动人体精妙的感官机制去感受音乐姿态所传达的情绪与意象,循着音乐的动态足迹,在“难以言表”的感性体验与文字语言表述之间找到一些平衡。
[Abstract]:The music is the essence of the analysis and interpretation of music value, but how to unite the music in the form and content, the signifier and the signified, the connotation and extension of the meaning of ability has become a core problem in understanding music. On the one hand, the interpretation of historical text interpretation is not credible, those parcels outside work "have an ulterior motive" often confuse the public; on the other hand, the form of technical analysis and performance of rigorous closed quenched hot music. Under such a dilemma dilemma, trying to break the new music of music and anthropology, sociology, semiotics, history, philosophy and cultural studies of the solid barrier, fusion in view of the interpretation of works of open domain. Therefore, the traditional western music gradually from the pure music text of a single model to model multiple intertextuality with personal experience The crossing, how we perceive more effectively, with music in multi dimension, multi system conveys meaning. In this background, this paper try to use symbols, window history, cultural studies, visual, kinesthetic and auditory from blend, sensory experience is like music attitude of exploring music as a the special sound attitude, how ideographic with creator and audience interaction in mind, how to succeed in the development process in the style of history and evolution. Through exploring the music attitude in iconicity, multiple semantic indicative and conventionality, mining in the genre, the symbol meaning of style, pursue the development of coherent thought logic in music, music and music interpretation. Starting to understand so as to arouse sensory mechanism of human body to feel subtle emotion and imagery to convey the music attitude, follow the dynamic ecological footprint of music, in "hard words" emotional experience Find some balance between words and words.

【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J602

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