性别为“用”观念为“体”——评姚亚平《性别焦虑与冲突:男性表达与呈现的音乐阐释》

发布时间：2018-03-02 09:41

本文关键词： 性别思维女性主义双性同体姚亚平柏辽兹浪漫主义　出处：《星海音乐学院学报》2017年01期 　论文类型：期刊论文

【摘要】：二十世纪80年代以来,性别主义批评渗透到音乐史写作中,它极大地挑战了传统研究模式,打开了从"性别"认识音乐历史的大门,也顺应了新音乐学偏重批评性史学的潮流。姚亚平教授《性别焦虑与冲突:男性表达与呈现的音乐阐释》一书于2015年6月出版,是国内音乐学界第一部关于性别批评的原创性史学论著。然而,它不能完全置于性别批评的研究模式中予以审视,更确切地说,是从"性别"角度对十九世纪音乐观念的解读,这种以新视角介入传统史学、走进新音乐学而又坚持原有学术路径的实践对学界具有启发意义。
[Abstract]:Since 1980s, sexist criticism has penetrated into the writing of music history, which has greatly challenged the traditional research model and opened the door of understanding music history from "gender". It is also in line with the trend of new musicology that emphasizes critical historiography. Professor Yao Yaping's book "gender anxiety and conflict: a Musical interpretation of male expression and presentation" was published in June 2015. It is the first original historical work on gender criticism in the domestic musicology circle. However, it cannot be completely examined in the research mode of gender criticism. Rather, it is the interpretation of the musical concept in 19th century from the angle of "gender". The practice of intervening in the traditional historiography from a new perspective, entering the new musicology and insisting on the original academic path, has enlightening significance for the academic circles.
【作者单位】：深圳大学师范学院音乐系;
【分类号】：J605-5

【相似文献】