音乐分析和社会学双重视域中的上海之春“海上新梦”新作品音乐会

发布时间：2018-03-05 20:00

本文选题：中国当代音乐创作　切入点：多元　出处：《上海音乐学院》2017年硕士论文　论文类型：学位论文

【摘要】："海上新梦"是在上海之春国际音乐节推新宗旨下衍生出的文化品牌,于2007年通过向上海市文化发展基金会申请项目资助得以正式立项。海上新梦建立的初衷是为迎接2010年世界博览会,通过委约上海作曲家进行音乐创作,集中推出一批具有示范性、导向性的文艺创作成果,为上海这座国际化大都市积累文化财富。笔者自2013年起在上海音乐家协会从事上海之春国际音乐节的相关工作,组织过多场"海上新梦"音乐会,但在搜集历届"海上新梦"音乐会作品的乐谱和录音及相关音乐会评述时发现,虽然每届"海上新梦"音乐会演出后都有部分乐评文章涌现,既有普及性导赏,也有对音乐会内容的深度评判,既有微观的深入挖掘、也有对整场音乐会内容的宏观整体掌控,但绝大多数文章仅仅是就音乐会中某一作品或某场演出的关注,至今还未有针对"海上新梦"音乐会近十年来发展趋势的整体性研究。因此本论文从十年"海上新梦"音乐会入手,从中选取了部分代表性新作品作为研究对象,对这些作品进行音乐学文本分析;同时,也对音乐会的组织者、作曲家、演奏家、乐评人和观众进行田野调查,将"海上新梦"这一现象置于社会学的视角之中进行调查解读。通过这种整体性研究,积累经验、总结问题、发现不足,为今后更好地开展活动奠定良好的基础,这也是本论题研究的意义所在。
[Abstract]:"A New Dream at Sea" is a cultural brand derived from the new tenet of the Shanghai Spring International Music Festival. In 2007, the project was formally approved by applying for project support from the Shanghai Cultural Development Foundation. The original intention of the New Dream at Sea was to meet the 2010 World Expo and appoint Shanghai composers to create music. A group of exemplary and oriented literary and artistic creations have been developed to accumulate cultural wealth for Shanghai, an international metropolis. Since 2013, the author has been engaged in the work of the Shanghai Spring International Music Festival at the Shanghai musicians' Association. Organizing several "New Dreams at Sea" concerts, but in collecting music scores, recordings and related concert reviews of previous "New Dreams at Sea" concerts, it was found that, although some music review articles appeared after each "New Dream at Sea" concert performance, There are not only popular guided tours, but also in-depth evaluation of the contents of the concert, as well as microcosmic digging and overall control of the whole concert. But most of the articles are just about a piece of work or a performance in a concert, So far, there has not been a holistic study on the development trend of the "New Dream at Sea" concert in the past ten years. Therefore, this paper starts with the "New Dream at Sea" concert in ten years, and selects some representative new works as the research object. A musicological textual analysis of these works, as well as a field survey of concert organizers, composers, performers, critics and audiences, The phenomenon of "New Dream at Sea" is placed in a sociological perspective for investigation and interpretation. Through this holistic study, experience is accumulated, problems are summarized, deficiencies are found, and a good foundation is laid for better activities in the future. This is also the significance of this thesis research.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J692

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