人群关系:跨界族群音乐研究的基本出发点

发布时间：2018-03-06 10:19

本文选题：民族音乐学　切入点：少数民族音乐　出处：《中国音乐》2016年04期 　论文类型：期刊论文

【摘要】：自1980年以来,中国传统音乐研究吸收来自西方民族音乐学理论的影响,逐渐形成了中国传统音乐理论与中国民族音乐学两个学科分支。在向西方学习之时,中国的音乐学家们也努力探讨符合中国学术语境的学科理念和研究方法,一个个具有独特视角和独特价值的研究理念逐渐成形,其中跨界族群音乐研究便是其中之一。该研究理念基于中国的社会现实,所提出的问题具有全球化意义,成为中国音乐学者贡献于世界的理论突破口。但是,跨界族群音乐研究的独特意义是什么?所涉及的主要问题是什么?将采用何种有效的方法论?目前对这些问题还缺乏深入的讨论。希望本文能够在此方面有所作用,也希望更多的学者们参与对此问题的思考。
[Abstract]:Since 1980, the study of Chinese traditional music has absorbed the influence of western ethnomusicology theory and gradually formed two branches of Chinese traditional music theory and Chinese ethomusicology. Chinese musicologists have also made great efforts to explore the disciplinary concepts and research methods that conform to the Chinese academic context. One by one, the research ideas with unique perspectives and unique values have gradually taken shape. Among them, the research of cross-border ethnic group music is one of them. The research idea is based on the social reality of China, and the questions raised are of global significance and become the theoretical breakthrough for Chinese musicologists to contribute to the world. What is the unique significance of cross-border music research? What are the main issues involved? What effective methodologies will be adopted? At present, there is a lack of in-depth discussion on these issues. I hope this paper can play a role in this area, and hope that more scholars will participate in the thinking of this problem.
【作者单位】：中央音乐学院音乐学系;中央音乐学院出版社;
【分类号】：J607

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