时代和技法双重限制下的歌颂类管弦乐精品——对吕其明《红旗颂》主题形成过程的剖析

发布时间：2018-03-13 01:07

  本文选题：双重限制　切入点：管弦乐　出处：《中央音乐学院学报》2017年02期 　论文类型：期刊论文

【摘要】：《红旗颂》的主题旋律在调式特点、句尾落音、旋律发展方式等方面具有我国民族民间音乐特点。同时,接受过专业音乐创作训练的作曲家吕其明,又借鉴西方多声思维和创作技法,使《红旗颂》民族化主题以大三和弦为主的明亮色彩、在旋律中添入各种和弦外音及低音线条强力度进行的创作手法,增加了主题民族化旋律表现上的“宽度”和“硬度”,展现出颂歌式宽广宏伟、庄严崇高的精神风貌。
[Abstract]:The theme melody of "Song of the Red Flag" has the characteristics of Chinese folk music in the aspects of the mode of modulation, the ending of sentence and the way of melody development. At the same time, the composer Lv Qiming, who has received professional training in music creation, Drawing lessons from Western multi-tone thinking and creative techniques, making the theme of "Red Flag Ode" nationalized with bright colors dominated by big triads, adding various kinds of chords and strong bass lines to the melody. It increases the width and hardness of the theme's nationalization melody, and shows the grand and solemn spirit style of carol style.
，

本文编号：1604111