“雅乐”与“俗音”比较研究—承德清音会与陕北民歌

发布时间：2018-03-16 04:16

  本文选题：承德清音会　切入点：陕北民歌　出处：《河北大学》2016年硕士论文　论文类型：学位论文

【摘要】：承德清音会是中国历史上一种独特的音乐形式,是介于宫廷典制性音乐与民间音乐之间的音乐形式。它产生于清代,随着清帝国的覆灭而流入民间。承德清音会是避暑山庄文化的重要组成部分,是承德地方音乐的典型代表,也是我国古代多民族文化的结晶,被称之为清帝国封建统治思想研究的“活化石”。陕北民歌扎根于黄土高原,历经千年的传承和发展,不断丰富了陕北民歌的文化内涵和艺术特色。陕北民歌独特的唱腔、朴实优美的曲词富有陕北粗犷和豪放的艺术特质,深深地打上鲜明的陕北地域色彩烙印。陕北民歌作为传统民歌艺术中的一员,是陕北人民在生活、劳动的真实写照,不仅陕北人喜欢,而且不断向全国传播,影响着中国民歌艺术的发展。目前,中国传统音乐文化的传承相比薄弱。承德清音会局限于对遗留古谱的继承,很难在作品的创新上有所突破;随着经济的发展,陕北民歌则局限在对革命时期的重复,也慢慢地远离了所扎根的黄土高原。承德清音会和陕北民歌都是我国传统音乐的重要组成部分,虽均为非物质文化遗产,但在传承上或多或少的遇到了发展的瓶颈,充分的分析二者的传承现状,认清存在的问题和不足,能够为它们的更好的传承提供一些较为合理的建议。
[Abstract]:Chengde Qing Yin Society is a unique musical form in Chinese history, which is between the court music and folk music. It originated in the Qing Dynasty. With the fall of the Qing Empire, it flowed into the people. Chengde Qingyin will be an important part of the culture of summer resort, a typical representative of Chengde local music, and also the crystallization of the ancient multi-national culture of our country. It is called the "living fossil" of the feudal rule thought of the Qing Empire. The folk songs of Northern Shaanxi are rooted in the Loess Plateau, and have been inherited and developed for thousands of years, which has enriched the cultural connotation and artistic characteristics of the folk songs of Northern Shaanxi. The simple and beautiful lyrics are rich in the rough and bold artistic characteristics of Northern Shaanxi, and are deeply marked by the distinctive regional color of Northern Shaanxi. As a member of the traditional folk song art, the folk songs in Northern Shaanxi are a true portrayal of the people living and working in Northern Shaanxi. Not only do people in northern Shaanxi like it, but they continue to spread it to the whole country, which affects the development of Chinese folk song art. At present, the inheritance of Chinese traditional music and culture is relatively weak. Chengde Qingyin will be limited to the inheritance of the ancient music left behind. It is difficult to make a breakthrough in the innovation of the works. With the development of the economy, the folk songs in Northern Shaanxi are confined to repeating the revolutionary period. Chengde Qingyin Society and Northern Shaanxi folk songs are both important components of traditional music in China. Although they are intangible cultural heritage, they have met the bottleneck of development more or less in inheritance. Fully analyzing the status quo of their inheritance, recognizing the existing problems and shortcomings, can provide some more reasonable suggestions for their better inheritance.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J607
，

本文编号：1618286