新疆哈萨克族冬不拉乐器术语研究

发布时间：2018-03-16 07:42

本文选题：哈萨克族　切入点：冬不拉　出处：《新疆艺术学院》2017年硕士论文　论文类型：学位论文

【摘要】：冬不拉:一种弦鸣类的二弦弹拨乐器,本文的研究对象即该乐器的术语。俗话说:“语言是文化的载体”,以冬不拉乐器术语的角度为切入点来探究冬不拉音乐的来源以及冬不拉音乐与哈萨克文化之间的关系。在探究的过程中始终结合“主位”与“客位”的双视角,对冬不拉中所存在的音乐现象进行观察和比较。本文的研究方法始终建立在以民族音乐学的研究方法为基础的前提之下,并跨学科的结合人类学、历史学、语言学等学科的研究视角,在民族音乐学的理论与方法中进行科学的田野调查,并获取详实的,客观的调查资料,并对所调查资料进行合理与规范的整理及运用,并运用人类学、历史学、语言学的研究视角对所收集资料进行科学分析。本文除绪论和结语外,正文分为五个部分。其基本内容如下:一、哈萨克族的历史与文化。站在冬不拉乐器术语的角度下,始终联系哈萨克族的历史与文化,从中探究了冬不拉音乐的来源,冬不拉音乐与文化的关系。二、冬不拉构件和附件术语。收集构件和附件术语原本的哈萨克语涵义,并分析了哈萨克语涵义的产生原因。三、冬不拉定弦术语。对冬不拉的定弦,目前所采用的都是四度定弦、五度定弦的说法。而四度定弦与五度定弦是西方乐理中的音程概念,本章回归哈萨克语原意,并探究了在哈萨克语原意下,定弦术语的来源以及所对应的文化内涵。四、冬不拉技法术语。挖掘了哈萨克人自身对冬不拉技法的称呼,记录了这些称呼所对应的演奏技法,并探究了这些称呼运用到演奏技法上的演变过程。五、术语研究之我见。本章主要以反思冬不拉术语研究为主,并联系冬不拉乐器术语的研究来解释何为民族音乐学研究中经常论及到的“主位”、“客位”,“局内人”、“局外人”等问题。
[Abstract]:A two-stringed plucked instrument of the kind, As the saying goes, "language is the carrier of culture". This paper explores the origin of the music and the relationship between the music and Kazakh culture from the point of view of the term. Relationship. In the process of inquiry, we always combine the two perspectives of "theme" and "guest position", The research method of this paper is always based on the research method of ethnomusicology, and the interdisciplinary combination of anthropology and history. From the perspective of linguistics and other subjects, scientific field investigation is carried out in the theory and method of ethomusicology, and detailed and objective investigation data are obtained, and reasonable and standardized data are arranged and applied. In addition to the introduction and conclusion, the text is divided into five parts. The basic contents are as follows: 1. The history and culture of the Kazakh nationality. From the angle of the term "winter not playing musical instrument", it always connects with the history and culture of the Kazakh nationality, and probes into the source of the music of winter and the relationship between the music and the culture. The original Kazakh meaning of component and attachment terms is collected, and the reasons for the Kazakh meaning are analyzed. This chapter returns to the original meaning of Kazakh language, and probes into the origin of string determination term and the corresponding cultural connotation under Kazakh original meaning. This paper excavates the Kazakh's own appellations to the techniques of winter, records the corresponding playing techniques, and probes into the evolution of these terms applied to the techniques of playing. This chapter mainly focuses on the reflection on the term of winter and musical instruments to explain what is often discussed in the study of ethomusicology such as "theme", "guest", "insider", "outsider" and so on.
【学位授予单位】：新疆艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.36

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