中国古代琴论的身体间性美学研究

发布时间：2018-04-01 04:40

本文选题：古琴琴论　切入点：身体性　出处：《长安大学》2017年硕士论文

【摘要】：目前,学界对古琴美学的研究有两种趋向:一是侧重于琴谱、指法、演奏等形而下技法层面的普及性研究;二是侧重于古代琴论中的文化、哲学等形而上的内在思想研究。以上两种研究方法,在一定程度上疏远了古琴美学中“技近乎道”的文化精神,割裂了艺术和哲学之间的联系。本文运用西方美学中身体间性的理论,发掘整理中国古代琴论中有关“琴-人”的系列范畴,如“指”、“弦”、“音”、“心”、“意”等。文章认为,古代琴论中所强调的“琴人合一”,正与身体间性理论有相似和汇通之处。作为意识主体的人,在琴论中具体表现为“指-弦”和“心-手”关系;作为艺术主体的古琴,在琴论中具体表现为“曲-声-情”的关系。“琴声”与“人情”相互交融,“琴声”传达“人情”、“人情”交杂在“琴声”中,最后完成“弦与指和,指与音和,音与意和”这一琴人合一的最高审美境界。琴论中的身体间性正是以身体为媒介的双向交流、运动的张力性关系。这一关系也从另一方面体现了中国传统艺术哲学中“物我合一”的思想,是中国古典美学审美感受性与体验性这一方面特点的淋漓尽致的表现。当然,由于笔者的阅读能力、理解能力和写作能力以及时间所限,叙述上和行文的流畅度都还有很多未尽之处,待于以后改进和完善,论文虽然融入了导师指导过程中的很多思想点,但仍难掩文章的不足和弱点。
[Abstract]:At present, there are two trends in the study of Guqin aesthetics in academic circles: one is to focus on the popularization of music, fingering, playing and so on, and the other is to focus on the study of metaphysical inner thoughts such as culture and philosophy in ancient piano theory.To a certain extent, the above two research methods alienate the cultural spirit of "technique bordering on Tao" in Guqin aesthetics, and seperate the connection between art and philosophy.Based on the theory of interbody in western aesthetics, this paper explores and arranges the series of categories of "Qin-man" in ancient Chinese piano theory, such as "finger", "string", "sound", "heart", "meaning" and so on.The article holds that the harmony between the Qin and the human is similar to the theory of body sex.As the subject of consciousness, the relationship between "finger-string" and "heart-hand" is embodied in the Qin theory, while the Guqin, as the subject of art, shows the relation of "music, sound and emotion" in the piano theory."Piano Sound" and "Human feelings" blend with each other. "Piano Sound" conveys "Human feelings" and "Human feelings" intermingle in "Piano Sound". Finally, "string and finger harmony, meaning and sound harmony, sound and meaning harmony" is the supreme aesthetic realm of harmony.The interbody sex in piano theory is the two-way communication and the tension relation of movement with the body as the medium.On the other hand, this relationship also embodies the thought of "integration of things and me" in Chinese traditional philosophy of art, which is the most incisive manifestation of the characteristics of aesthetic sensibility and experience in Chinese classical aesthetics.Of course, due to the author's reading ability, understanding ability and writing ability, as well as the time limit, the fluency in narration and writing is still much to be done, which is to be improved and perfected in the future.Although the thesis has incorporated many thought points in the process of tutoring, it is still difficult to cover the shortcomings and weaknesses of the article.
【学位授予单位】：长安大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.31

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