张千一《为四把大提琴而作的乐曲》作品分析

发布时间：2018-04-01 07:37

本文选题：张千一　切入点：《为四把大提琴而作的乐曲》　出处：《中国音乐学院》2015年硕士论文

【摘要】：张千一(1959-)是我国当代著名作曲家。他所创作的作品涵盖了器乐(包括交响乐、室内乐、民乐等)、声乐(包括合唱、独唱等)、舞台剧音乐(包括歌剧、舞剧、其他戏剧、舞蹈等)和影视音乐等不同领域。本文以张千一的室内乐作品为四把大提琴而作的乐曲》为研究对象,全文共分为五个章节。第一章介绍了20世纪中外音乐创作的新思维,重点介绍反叛、标新和多元的音乐创作风格;第二章分析了《为四把大提琴而作的乐曲》的主题材料,并对这首作品的和声组织和音高元素进行分析;第三章分析了《为四把大提琴而作的乐曲》的音色-音响处理手法与布局,第四章分析了复调与微复调手法,第五章分析了偶然音乐元素与中国思维的关系在作品当中的体现。笔者尽可能从创作的角度出发,并结合对本曲音响的主观体验,试图总结和提炼出张千一的总体创作特征,以此还原《为四把大提琴而作的乐曲》的创作历程。
[Abstract]:Zhang Qianyi is a famous contemporary composer in China. His works cover instrumental music (including symphonies, chamber music, folk music, etc.), vocal music (including chorus, solo, etc.), stage music (including opera, dance, other plays, etc.). This paper takes Zhang Qianyi's chamber music works as the object of study, the whole text is divided into five chapters. The first chapter introduces the new thinking of Chinese and foreign music creation in the 20th century. The second chapter analyzes the theme of "Music for four Cello", and analyzes the harmony organization and pitch elements of this work. The third chapter analyzes the timbre and sound processing techniques and layout of "Music for four Cello", and the fourth chapter analyzes the polyphony and micro-polyphony techniques. The fifth chapter analyzes the relationship between accidental music elements and Chinese thinking in the works. The author tries to summarize and refine Zhang Qianyi's overall creative characteristics from the angle of creation and the subjective experience of the sound in this song. In this way, the creation of music for the four cello is restored.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J622.3

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