当前位置:主页 > 文艺论文 > 音乐艺术论文 >

霍尔斯特《行星》组曲和声技法研究

发布时间:2018-04-01 20:30

  本文选题:霍尔 切入点:斯特 出处:《山东师范大学》2017年硕士论文


【摘要】:古斯塔夫·霍尔斯特是20世纪初英国最著名的作曲家之一,他的一生富有传奇色彩。本文以19世纪与20世纪之交欧洲各国著名作曲家的音乐创作,和20世纪初叶的各流派的音乐创作为研究背景,以英国作曲家霍尔斯特为研究对象,以他最为著名的音乐作品《行星》组曲中的和声技法为研究内容,试图揭示其在音乐历史上最为动荡的年代中创作出来的音乐有哪些技术风格特征,并对他的音乐创作风格倾向进行有根据的定位。本文共分为三章。第一章分为两节,第一节分别论述了霍尔斯特的生平、经历、《行星》组曲创作的历史背景,分别从霍尔斯特崇拜过的作曲家,和接触过的同时代作曲家的经历,和他作为女子学校教师的人生经历,并结合他一生的音乐创作等方面对其美学观念的形成进行了剖析;第二节论述了《行星》组曲七个乐章的音乐结构,主要集中于对音乐材料、曲式结构的分析。第二章分为五节,分别从对传统和声技术语言的运用、对新型关系调式交替技法的运用、对新型关系和弦进行技法的运用、对复合和声思维的运用,以及《行星》组曲中使用的个性化结构和弦五个方面论述了霍尔斯特在《行星》组曲中对半音调性体系技术语言的运用情况。第三章分为两节,分别从以单一音列调式组织旋律和以多音列综合调式组织旋律两个方面论述了霍尔斯特在《行星》组曲中对调式和声体系技法的运用情况。结论对全文的分析、研究结果进行了高度总结,从历史角度的成因论述了霍尔斯特的音乐创作风格倾向。
[Abstract]:Gustav Holst is one of the most famous composers in England in the early 20th century. And the music creation of various schools in the early 20th century as the research background, taking British composer Holst as the research object, and taking the harmony technique in his most famous music piece, Planet as the research content. This article is divided into three chapters. The first chapter is divided into two sections. The first section deals with Holst's life and experience, the historical background of the creation of the Planet Suite, the experience of the composer whom Holst worshipped and the contemporary composer who has come into contact with him. And his life experience as a female school teacher, and combined with his whole life music creation and other aspects to analyze the formation of his aesthetic concept. The second section discusses the music structure of the seven movements of "Planet" Suite. The second chapter is divided into five sections, respectively, from the use of the traditional harmony technology language, the use of the new relationship mode alternate technique, the use of the new relationship chord technique, the second chapter is divided into five sections, the second chapter is divided into five sections, respectively, from the use of the traditional harmony technology language, the use of the new relationship mode alternate technique, the new relationship chord technique. The application of compound harmony thinking and the individualized structure and chord used in Planetary Suite are discussed in this paper. The third chapter is divided into two sections, the third chapter is divided into two sections, the third chapter is divided into two sections, the third chapter is divided into two sections, the third chapter is divided into two sections, and the third chapter is divided into two sections. This paper discusses the application of Holst's techniques of modulation and harmony system in Planetary Suite from two aspects of single tone series and polyphonic series. The results of the study are summarized, and from the historical point of view, Holst's musical writing style tendency is discussed.
【学位授予单位】:山东师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J614.1

【参考文献】

相关期刊论文 前4条

1 刘康华;;二十世纪和声的基本结构成分及其衍生的音高关系体系[J];中央音乐学院学报;2006年02期

2 刘康华;二十世纪的中心和音技术[J];中央音乐学院学报;1995年02期

3 刘康华;二十世纪和声的共同逻辑原理与分析方法——尤·霍洛波夫的理论与方法[J];中央音乐学院学报;1992年01期

4 吴式锴;和声发展的历史继承性[J];中央音乐学院学报;1981年01期

相关会议论文 前1条

1 刘康华;;和声教学中调性扩张技巧的深化与功能关系的拓展[A];全国和声复调教学研讨会论文汇编[C];2010年



本文编号:1697199

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/yinlelunwen/1697199.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户15750***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com