自由低音巴扬手风琴新作品《醉京风》演奏技法探索与作品浅析

发布时间：2018-04-25 21:24

本文选题：代博 + 醉京风　；参考：《中央音乐学院》2015年硕士论文

【摘要】：青年作曲家代博为现代自由低音巴扬手风琴创作的独奏作品《醉京风》,2009年摘得了“首届天津全国金杯手风琴新作品比赛”独奏作品组别第一名的成绩,次年被选入中国哈尔滨之夏国际手风琴艺术节手风琴比赛“演奏家组”规定曲目。并由笔者在国内国际重大手风琴艺术节中成功演出。作为我国手风琴新作品创作中的一部高质量的作品,《醉京风》无论在作曲技法,特点。还是在演奏法方面都有大胆的创新。《醉京风》结合了诸多中国元素,特别是京剧唱腔和经典唱段,如西皮摇板,二簧原板等。笔者以作品首演者的身份,以作曲家的讲解以及查阅相关资料为基础,对以上内容进行了简要分析。此外,结合笔者亲身演奏经历,在作品演奏技法中提炼出了诸多手风琴演奏技巧的革新。如左手跑动技巧,变音器的使用,作品多声部织体演奏法的创新,都是该部作品中值得一提的演奏技巧精髓。作为一部比较成功的作品,本文分析该作,也希望为我国手风琴演奏和作品创新方面提出了一些新的想法和经验。
[Abstract]:A solo work by young composer Dai Bo for the modern free bass Bayan accordion, "drunken Beijing Wind", won the first place in the solo group of "the first National Golden Cup accordion Competition of Tianjin" in 2009. The following year was elected to Harbin, China's summer accordion art festival accordion competition "player group" regulations. And by the author in the domestic and international major accordion art festival successfully performed. As a high quality work in the new accordion creation in our country, "drunken Beijing style", regardless of composition techniques, characteristics. There are also bold innovations in playing methods. "drunk Beijing Wind" combines many Chinese elements, especially Beijing Opera singing and classical choir, such as Xipi rocking plate, Erjinyuan plate, and so on. The author briefly analyzes the above contents on the basis of the premieres of the works, the interpretation of the composer and the reference of relevant materials. In addition, combined with the author's own performance experience, many accordion playing techniques were refined. For example, the left-handed running technique, the use of phonograph, and the innovation of multi-part texture are all the quintessence of this work. As a successful work, this paper analyzes this work and hopes to put forward some new ideas and experiences for our country's accordion performance and innovation.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J624.3

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